Submission, also known as Scandalo, is a 1976 Italian drama film, set in WWII-era France on the eve of Germany’s invasion. Wartime stress builds up within a household until the breaking point.
It’s centered around the pharmacy run by pharmacist Eliane Michaud, who employs Juliette and Armand. Her house is upstairs, inhabited by her kind but distant intellectual husband, Henri, and her beautiful teenage daughter, Justine. (“Justine” and “Juliette” are likely references to two of the Marquis de Sade’s novels.)
Air date: March 23, 2023, Director: Norberto Barba, Writer: Brendan Feeney
Two women, Zoe Greene and Jenna Scott, are in a nightclub. Jenna is pushing hard for Zoe to date again after the death of her husband. Jenna introduces Zoe to a dating app and gets her to connect to “Klaus Darcy”. Zoe’s online relationship with Klaus escalates to sexting, a little D&S, and gift exchanges, like lingerie. (Zoe mentions that she and her late husband used to get “a little freaky”.)
Zoe sets up a meeting with Klaus at a hotel room, including bondage with her late husband’s neckties. She’s wearing black lingerie and a collar with an O ring. The text messages tell her to pose by the window, and she answers “Yes, sir.”
The first two acts are a straightforward drama. Chris McCormick, a famous model known for sexually provocative pictorials, agrees to meet with the music teacher, Gordon Stuart, of her teen sister, Kathy. Gordon, angered by Chris’ indifference to him and the glamour of her lifestyle, assaults and rapes her in her apartment, including tying her to her bed. Kathy briefly witnesses the end of this.
The Law & Order franchise often fictionalizes real-world events. In this case, it alludes to the publication and popularity of the Fifty Shades trilogy, in an episode aired only 6 months after the trilogy was re-released by Vintage. (FSOG was first published May 25, 2011 by Writers Coffee Shop, and the trilogy was re-released by Vintage in April 2012.)
I thought that this episode also referenced the case of Jian Ghomeshi, a Persian-Canadian radio host and interviewer who allegedly strangled his girlfriend and excused it as consensual BDSM. However, in an odd moment of life imitating art, I found that this episode actually aired 2 years before the allegations about Ghomeshi went public in 2014.
The author of the hot new erotic novel Twenty-Five Acts, Jocelyn Paley, appears on a talk show. The host, Adam Cain, meets her for dinner, and she secretly gives him her panties under the table. They go back to his place. After some sex she initiates, he crosses the line, throws her on the bed and chokes her with a belt.
The L Word was a night-time soap about a group of lesbian and bisexual women in West Hollywood, with multiple continuing storylines.
“Loud and Proud” is centered on Pride Weekend in LA. In the previous season, Jenny arrived in West Hollywood and began exploring her sexuality, which caused some complications with her boyfriend. Jenny broke up with him and joined the other characters.
The cold-open shows two women having a BDSM session, in the red-on-black color scheme we will see repeatedly in this episode. The bottom is cuffed to a St. Andrew’s cross. There’s no nudity, and only a couple of light impacts with a flogger.
The top says, “I’m going to give you a minute to think about how badly you want me to fuck you.”
Romanceis a 1999 French drama film, written and directed by Catherine Breillat.
[Unless noted otherwise, all quotations are from the subtitles.]
Breillat is notorious for explicitly showing sexual acts in her films, as well as her unsentimental view of heterosexual relations. Sex between men and women is always a conflict in Breillat’s films, though who is winning isn’t always clear.
The protagonist is Marie (Caroline Ducey), a young woman who lives with her boyfriend Paul (Sagamore Stévenin), a model. In the first scene, Marie watches from a distance as Paul is posed as a matador in a photoshoot with another female model. The photographer instructs Paul and the model in performing proper masculinity and femininity.
Marie (Caroline Ducey) tries to arouse Paul (Sagamore Stévenin)
They return to their apartment, where their clothes and the furnishings are all white and off-white. Instead of innocence, it suggests sterility and emptiness. Paul rejects Marie’s sexual advances again, in a reversal of the usual gender roles.
Paul’s passive-aggressive head game is that if he completely eliminates sexual desire in himself, he gains the upper hand in his relationship with Marie. Having her dance on the end of his string is more interesting to him than actually fucking her.
Peter
Samuel Cook was a serial rapist who attacked
women in their homes in Cambridge, England, between October
1974 and April 1975. He was known in the press as the “Cambridge
Rapist”.
Cook’s crimes were peculiarly theatrical. Today, we are still grappling with the idea that most rapes are committed by people the victim knew. Cook fit the stereotypical view of a rapist at the time, a socially marginal figure who broke into homes and assaulted strangers. Reportedly, if he didn’t find a victim, he would write taunting messages on their bathroom mirrors.
What’s significant for this discussion is that he wore a black leather hood with the word “RAPIST” literally written across the forehead. What puzzled me was, why and how did Cook get a leather mask? An ordinary cloth or wool ski mask or balaclava would have sufficed to conceal his identity.
The Piano Teacher (2001) is a drama about the relationship between a sexually repressed middle-age woman and an aggressive younger man. This is what happens when an incautious masochist encounters a real sadist.
Erika (Isabelle Huppert) instructs Walter (Benoît Magimel)Continue reading »
Brownmiller’s statement probably had a lot to do with the anti-SM strain of feminism in the late 1970s and early 1980s. In her view, masochism is merely a myth of patriarchy, an excuse for rape.
HBO’s Westworld TV series postulates a fantasy world where guests interact with non-human “hosts” in a simulated Wild West setting. The narrative, much like the previously discussed Dollhouse, explores the issue of what happens when people are removed from their usual social restrictions and are able to act on their fantasies and desires.
