My friend TammyJo Eckhart and I go in-depth on the 2014 film The Duke of Burgundy, including topping from the bottom, shapewear, and what’s with all the mannequins.
Lasting Marks is a short documentary on the infamous Operation Spanner case, in which gay men in 1980s Britain were arrested and tried for consensual sadomasochism. I should point out that the documentary is mostly scans of newspaper articles and legal documents, with a voiceover interview with one of the accused.
Evie Lupine hosted an extended discussion of A Lovers Pinch on her live video stream on March 22nd. Thanks, Evie!
Nicholas Tanek interviewed me for the Your Kinky Friends video stream/podcast, where I got to talk about A Lover’s Pinch, BDSM history, and my personal journey through the kink world. There are a lot of other interesting interviews and essays, including a series on the heroes of the kink community. There’s even a video chat with Susan Wright of NCSF.
The Leather Archives and Museum did an interview with Chuck Renslow who was a major organizer of the gay male Leather Scene going back to 60s.
One of the first academics to study the San Francisco gay leather culture, Gayle Rubin, gave a two-part interview at the San Francisco Leathermen’s Discussion Group back in 2012. In particular, she references her classic essays “Elegy for The Valley of the Kings” and “Thinking Sex”.
A short video on the great gay male artist known as Tom of Finland, whose impact on all BDSM art, not just gay male art, is immense.
From Tanos’ blog:
…Lush, the high street retailer of bath bombs etc, ran a campaign in many of their shop windows involving people in cages or dressed as animals to highlight animal testing of cosmetics. In their Regent Street shop they put on a performance lasting several hours in which a body-stocking naked actress was tortured by a man in a white coat. Not surprisingly, the coverage of this got some BDSM attention.
iHarem is a blog with a vast collection of images and especially video clips of harem/slave girl/odalisque Orientalist fantasies, some going back to the early Silent Film era. Apparently, as long as there has been moving images, they have been used to deliver Orientalist fantasies of beautiful, available women, often in quantity.