Femina Ridens (aka The Laughing Woman, The Frightened Woman) is a 1969 Italian psychological drama, starring Philippe Leroy and Dagmar Lassander, and directed by Piero Schivazappa. IMDB
Dr. Sayer kidnaps Maria, a young woman, and locks her in his prison-like apartment, saying he will psychologically torture her into loving him, then kill her. Maria, however, is much more than she appears.
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The Feeling That the Time for Doing Something Has Passed is a 2023 comedy-drama, directed and written by Joanna Arnow and starring Arnow, Scott Cohen and Babak Tafti. IMDB
Ann, a thirty-something woman in New York City, seeks relief from the difficulties with her job and family through submission to various men.
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Remedy is a 2013 drama directed by Cheyenne Picardo and written by Picardo et al.
A young woman known only by her nomme de domme, Remedy (Kira Davies), explores the world of professional domination and submission. She has some experience with BDSM at a night club, where she met a woman named Astrid, who hooked her up with a dungeon in NYC. Her motivation isn’t clear, whether it’s money or something else. (She has an unseen boyfriend and works as a children’s tutor.)
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My Normal is a 2009 comedy-drama about a professional dominatrix living in NYC, directed by Irving Schwartz, written by Abdul Malik Abbott, Renee Garzon, Keith Planit, and Adam Sales, and starring Nicole LaLiberte.
Natalie (aka “Ashley”) juggles her work as a pro domme with pressures from her family to get married and have kids, and looking for love as a lesbian. She gets her break to work in the film industry but encounters a new set of problems.
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Mary Gaitskill’s short story “Secretary” (previously discussed) was first published in 1988, then was eventually adapted into the 2002 film Secretary. I’ve already discussed the differences between the script by Erin Cressida Wilson and the film directed by Steven Shainberg, so there’s a kind of family tree connecting the story and the movie.
Gaitskill herself has described the film as “the Pretty Woman version of my story.” (Gaitskill, Mary. “Victims and Losers: A Love Story; Thoughts on the Movie Secretary” Somebody With a Little Hammer: Essays, Pantheon Books: New York, 2017) Last year, the New Yorker magazine published (March 27, 2023) Gaitskill’s follow-up story “Minority Report”. It tells the story of Debby and her life after her encounter with “the lawyer,” now given the name of Ned Johnson.
“Minority Report” is less a sequel than a retelling of the same event from Debby’s changed perspective as a woman in her 50s, and her difficulty in understanding and expressing her experience. The title explicitly comes from the Steven Spielberg film of the same name, in which precognitive people experience flashes of future events while kept in a sedated state, and a team of detectives have to interpret these scattered, impressionistic glimpses of possible crimes and decide what to do.
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Secretary (2002) has taken up a disproportionate amount of time in researching and writing The Celluloid Dungeon. I already knew there were a lot of differences between Mary Gaitskill’s original short story and the finished film directed by Steven Shainberg, but I’ve since learned there were significant differences between Erin Cressida Wilson’s script and the finished product. (See Ariel Schudson’s “Secretary and Adaptation: the Telephone theory”) Thanks to inter-library loan, I’ve borrowed a copy of the script book, which also includes essays by Wilson and others.
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The notorious “Fur and Loathing” (aired October 30, 2003) episode of CSI is supposed to be about the furry subculture, but it actually demonstrates the investigative procedural’s particular view of sexuality and identity.
A routine traffic accident leads Grissom and Willows to what they at first think is a coyote but is actually a dead man in a raccoon fur suit. This leads to PAFCon (Plushies and Furries Convention), which the deceased, Robert Pitt, attended.
Continue reading »https://www.youtube.com/watch?v=AS-ccDTp1NE
TammyJo Eckhart and I review the lesbian romantic comedy S&M Sally (2015).
Roman Scandals is a 1933 American musical comedy, pre-Hays Code film. Eddie Cantor stars as Eddie, an oddball handyman in the present-day, corruptly governed town of West Rome. Without explanation, Eddie is transported back to ancient Rome and gets tangled up in a plot to kill the corrupt Emperor.
For our purposes, it’s noteworthy for two of the musical set-pieces, both designed by Busby Berkeley, famed for his production numbers involving vast arrays of women in identical, often fetishistic costumes.
The first is an elaborate dance number set at the Roman slave market. Women, naked but for long blonde wigs, are chained to walls. Other, brunette women do synchronized dances in scanty outfits on a tiered display like a giant wedding cake. Reptilian-looking men in the crowd eye the captive women. One of the brunette women is dragged to the top of the display, and then jumps off and dies, ending the number.
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Police Woman S03E21 “Bondage”, aired March 1, 1977, dir. Arnold Laven, wri. Irv Pearlberg & Frank Telford
Police Woman was a 1974-1978 cop show that starred Angie Dickinson as Sgt. “Pepper” Anderson, set in Los Angeles. Episode “Bondage” involved Pepper infiltrating the porn industry.
The opening scene is set in an old-timey looking room, with a woman tied up by the wrists, standing. A maid (in a completely ahistorical uniform) comes in to help her “Countess”. (The background sound of a camera whirring betrays that this is a performance.) A man in period-ish wig comes in, dismisses the maid, and rips the back of the Countess’ nighgown. (No actual nudity, of course.)
Continue reading »Manny the Director: “And cut!”
