Episode S05E01 “Carly Summers”, aired November 1, 2007 IMDB
Nip/Tuck is a drama series focused on a pair of cosmetic surgeons. In the season 5 opener, Doctor Sean McNamara and Doctor Christian Troy have just relocated from Miami to Los Angeles and opened a new practice.
One of their first clients is Bob Easton, a high-powered studio exec. He wants them to cover up the bite marks on his chest.
The General’s Daughter (IMDB) is a 1999 mystery/thriller.
US Army Captain Elizabeth Campbell, a psychological warfare expert and the daughter of a famous general, is found staked out nude and dead on a training ground. Two warrant officers from the Criminal Investigation Division investigate and discover a web of sexual abuse and coverups.
Body of Evidence (IMDB) is a 1992 erotic thriller/neo-noir film starring Madonna and Willem Dafoe. It was part of the genre epitomized by Fatal Attraction (1987) and Basic Instinct (1992), but didn’t inspire their level of critical attention.
Body of Evidence arrived at a particular nexus of Madonna’s career. Riding on the wave of Like A Prayer, pushing boundaries with the Blonde Ambition Tour and the exuberant Truth or Dare, Madonna’s imperial phase began to dip with her boundary-pushing take on sex and erotica; namely, SEX and Erotica. While Madonna would remain unapologetic, Body of Evidence, and the accompanying explicit period in career concluded with one of the most consistent criticisms of Madonna: rigid-perfectionism and managed-spontaneity…
The most grating problem with Body of Evidence is how reductive derivative it is. Released a mere 8 months after Basic Instinct, it’s shocking to see how much of it feels directly lifted from it and other films of its genre.
“Escape from the Dungeon!”, aired September 26, 2010
Bored to Death is an American comedy TV series (IMDB) about Jonathan Ames, a struggling writer who moonlights as an “unlicensed private detective”.
In “Escape from the Dungeon!” (S02E01), Jonathan meets Drake, a mounted NYPD officer, who needs his name removed from the hard drive of the BDSM dungeon he frequents before it is raided by the police. He says the dungeon is involved in money laundering, not that it will be raided for sex work charges.
Legend of the Seeker (IMDB) is a 2008 fantasy television series based on the Sword of Truth novel series by Terry Goodkind. It’s pretty boilerplate, hero’s journey, high fantasy.
Legend of the Seeker shares some production staff with the TV series Hercules: The Legendary Journeys and Xena: Warrior Princess, and the Spartacus TV series, which frequently hinted at or showed various forms of queer or kinky sexuality. In turn, those series are descendants of the sword-and-sorcery genre of fiction, which frequently referenced sadomasochistic sexuality. E.g. the covers of the 1930s pulp Weird Tales by Margaret Brundage.
Unlike most of the media we’ve explored so far, Legend is set in a fantasy world of magic and strange creatures. Therefore, we should hold it to different standards of realism and consent.
House is an American TV medical procedural drama. “Love Hurts”, aired May 10, 2005, is the twentieth episode of the first season.
The episode begins with a man in the Emergency Room with what appears to be a stroke. The patient, Harvey (John Cho), also has nominal aphasia (difficulty naming things), as his friend Annette (Christina Cox) explains.
As Harvey has a metal plate in his jaw from an earlier injury, the doctors can’t do an MRI scan, and have to diagnose with other methods. They also notice oddities like how Harvey enjoys having needles inserted, and how Annette hovers around the patient. Finally, they find Annette in Harvey’s hospital room, apparently strangling him.
One of the doctors, Chase, explains that she is a dominatrix.
Love & Human Remains is a 1993 drama film. It tells several interwoven stories of people in the big city, while in the background a serial killer murders women. The main character is David (Thomas Gibson), a gay former actor who coasts through life as a waiter and nightclub regular.
Love definitely has some resemblance to Cruising: paranoid people in an urban environment, a serial killer who could be anybody, masculinity in crisis. We get glimpses of the killings on news shows, but the characters, too self-absorbed, skip past them.
Benita (Mia Kirshner) seems to vibe on that urban paranoia. She’s primarily a dominatrix, often telling classic urban legends (e.g. “the guy with the hook” or “the baby sitter and the extension cord”) during her sessions with men in her apartment.
Tomcats is a catalog of white heterosexual male anxieties at the turn of the millennium: castration, marriage, children, public humiliation, romantic and sexual rejection, unruly female bodies, being outperformed by women professionally, women turning into lesbians, and women who are too sexual. For the purposes of this project, the relevant scene has the same comedic premise as in Euro Trip: that even the horniest man can be overwhelmed by the most voracious woman.
The premise is that a group of male friends made a bet that whoever is the last unmarried gets all the money in a large mutual fund. Our protagonist, Michael (Jerry O’Connell), tries to impress a woman at a Vegas casino, ends up owing $50,000, and has to get his womanizing single friend, Kyle (Jake Busey) married by the end of the month so he gets the money.
Michael finds Natalie (Shannon Elizabeth), the one who got away for Kyle, who turns out to be a police detective. They set about seducing Kyle, while our protagonist starts falling for the woman. Natalie tells Michael that she’s falling for Kyle, prompting Michael to seduce the first woman he sees, which goes spectacularly awry.
Desperate Housewives was a mystery/dramedy TV series concerning a group of four housewives in a suburban neighborhood who attempt to solve the mystery of the death of one of their friends. They also deal with various other challenges to their families.
One of the four wives, Bree (played by Marcia Cross), learns that her husband Rex (played by Steven Culp) has been cheating on her with another married woman, Maisy Gibbons (played by Sharon Lawrence), who is a sex worker and dominatrix. Maisy took this up for money when her husband lost his job.
Bound (2015) (not to be confused with Bound (1996), the lesbian-noir thriller directed by the Wachowskis) has an interesting pedigree. It was made by The Asylum, best known as the producers of numerous “mockbusters”, low budget, direct-to-video knock-offs of popular Hollywood films. Usually, these are science fiction, disaster and horror films (e.g. Transmorphers, based on Transformers), but a few belong to other genres. Bound is The Asylum’s take on Fifty Shades of Grey (which, in turn, is a take on the Twilight series of books and films).
Let’s get one thing clear. Bound is not a great film. The production values are low, the acting isn’t great, entire scenes seem to be missing from the story, and there are more than a few plot holes.
It is a better cinematic treatment of a woman’s introduction to BDSM than Fifty Shades of Grey.