Peter Tupper

Oct 152021
 
  • CBC’s Ideas podcast has a series called Body Language. One episode talks about the “the right to sex“, the thorny issue of sexual ethics and politics. In the BDSM world, we tend to treat consent as the be-all and end-all of sexual ethics, but that leaves issues of sexism, racism, transphobia, classism and so on, unaddressed.
  • The Official Bettie Page Podcast, episode 5, discusses the 2005 biopic, The Notorious Bettie Page, and some other documentary and biopic film projects about the iconic pinup and bondage model.
  • The Rialto Report covers the 1977 launch of the Ultra Room at the Mitchell Brothers’ O’Farrell theatre in San Francisco, a lesbian bondage show surrounded by two-way mirrors. This includes an interview with the room’s first headliner, porn star C.J. Laing, and photos.
  • A Refinery29 post by Gina Tonic asks what it means to be a bottom. “…the labels ‘top’ and ‘bottom’ are often used interchangeably with the labels ‘dom’ and ‘sub’ – but is this always true?”
  • 20 years ago, Fetish Diva Midori published The Seductive Art of Japanese Bondage, probably the first book published in English on Japanese bondage. Since then, kinbaku/shibari has grown immensely in popularity outside Japan, and some kinksters practice it exclusively. Spectrum Boutique interviews Midori about this pioneering project.
Oct 152021
 

The Story of Joanna (IMDB) is a 1975 X-rated drama directed and written by Gerard Damiano and starring Terri Hall in the title role and Jamie Gillis as Jason.

Joanna comes from the “Golden Age of porn” in the 70s and early 80s when some hardcore adult films were made with higher production values for release with X-ratings in mainstream theatres, trying to reach a broader audience. This was also the heyday of mainstream softcore erotica films like Just Jaeckin’s Histoire D’O (1975) and the original Emmanuelle (1974), and edgier material like Nazisploitation classics The Night Porter (1974), Ilsa: She-Wolf of the SS (1975) and Salon Kitty (1976). (I’ve heard that Damiano wanted to film Story of O but couldn’t get the rights, and made his own knock-off.)

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Sep 202021
 
Sep 182021
 
Mimi (Emmanuelle Seigner) meets Nigel (Hugh Grant) in the company of her husband Oscar (Peter Coyote)

Bitter Moon (IMDB) is a 1992 erotic/romance film, directed by the notorious Roman Polanski, based on the novel Lunes de Fiel by Pascal Bruckner

Nigel goes on an ocean cruise with his wife, Fiona, where he becomes fascinated by a beautiful, mysterious woman named Mimi. Her husband, a paraplegic would-be writer named Oscar, demands that Nigel listen to his story of his obsessive love with Mimi before Nigel has an affair with her. Like another tale of twisted love, Nabokov’s Lolita, we shouldn’t take the narrator at face value. Mimi privately tells Nigel: “You musn’t believe all he says. He’s a sick man. He imagines things.”

In Oscar’s story, he is a self-consciously literary archetype, an independently wealthy young American living in Paris to become a writer. On a bus trip, he becomes smitten with Mimi, a young French woman. 

Mimi is a cipher, with almost nothing more to her than being a beautiful French dancer, at least in Oscar’s telling. The early stages of their romance go from sweetly romantic to an adolescent’s idea of eroticism. 

Oscar: (to Nigel) “I’m only going into such detail to show you how completely enslaved I was, body and soul, by this creature whose dangerous charms have made such an impression on you.”

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Aug 152021
 
Aug 102021
 

A few months ago, I perused the used books section at Vancouver’s venerable queer bookstore Little Sisters. In addition to a book on Kenneth Anger’s underground gay leather film Scorpio Rising, I happened across a book without a barcode or copyright date or even an author, titled The Female Disciplinary Manual. I had heard of this before and remembered something about it being connected with some kind of schoolgirl discipline fantasy operation. As it was only $9.00 Canadian and in excellent condition with dust jacket (copies on Amazon are priced at $148 or more), I snapped it up.

The book itself is a rather odd work, purporting to be from the 2030s when the school disciplinary regime of the early 20th century in England has been reinstated as the solution to a decadent culture. The prose is in an arch, deadpan tone that leaves the reader guessing how much of this is part of the school discipline fantasy and how much is sincere.

By happenstance, I also came across the strange story of the organization that wrote and published the book and apparently lived by its ethos. The fifty-year saga links into pagan cults, lesbian separatists, Victorian-Edwardian cosplay as a lifestyle, early text-only video games, the English schoolgirl-discipline fetish, and far-right politics.

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Jul 162021
 

Welcome to Elust 139.

The only place where the smartest and hottest sex bloggers are featured under one roof every month. Whether you’re looking for sex journalism, erotic writing, relationship advice or kinky discussions it’ll be here at Elust. Want to be included in Elust #140? Start with the rules, come back August 1st to submit something and subscribe to the RSS feed for updates!

Books and Movies

Maitresse (1976): The Celluloid Dungeon

Erotic Non-Fiction

Review: Fun Factory Manta

My Comfort Zone

Kidnap Fantasy Roleplay Duo with Madam Helle

BDSM Pornstar in Tokyo, Japan

Gangbangs and Bukkake Parties

Erotic Fiction

My Muse

Broken Boy

Viking Spankings

Cuckboy

Thoughts & Advice on Kink and Fetish

Kink 101

Jun 292021
 

Before there was Dyanne Thorne as Ilsa, there was Audrey Campbell  as Olga. 

The Olga films were a series of exploitation “roughies” or “kinkies” released in the 1960s, all directed by Joseph P. Mawra, and starring Audrey Campbell as the sadistic mob boss, Olga. These films were released under several different titles and release dates. 

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Jun 272021