Jun 292021
 

Before there was Dyanne Thorne as Ilsa, there was Audrey Campbell  as Olga. 

The Olga films were a series of exploitation “roughies” or “kinkies” released in the 1960s, all directed by Joseph P. Mawra, and starring Audrey Campbell as the sadistic mob boss, Olga. These films were released under several different titles and release dates. 

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Jun 062021
 
Alana and Philip

“You should not work to make the audience comfortable with what they are witnessing at all.”

Notes on style, Pg.4

Slave Play by Jeremy O Harris is a 2018 three act stage play. Three modern interracial couples (two straight, one gay) attend a retreat to work out the issues in their relationships via slavery-based roleplay. This reveals and strains various faultlines in their relationships and their psyches.

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Jan 302021
 

John: “Elizabeth, I don’t want to negotiate with you. Now crawl.”

Nine and a Half Weeks (IMDB) is a 1986 erotic drama/romance film, directed by Adrian Lyne, starring Mickey Rourke and Kim Basinger. Written by Patricia Knop & Zalman King and Sarah Kernochan. 

Adrian Lyne previously directed Flashdance (1983) and later directed controversial, sexually-charged films like Fatal Attraction (1987) and the remake of Lolita (1997). He learned filmmaking as a commercial director in London. 

Zalman King, the driving force of the film as one of the writers and producers, is an interesting figure in the history of visual erotica. He had a middling career as an actor, going back to the 60s. After Weeks, King started directing softcore erotica features, borrowing a lot of Adrian Lyne’s style. In the 1990s, he created the adult anthology series Red Shoe Diaries, which pioneered a particular style of high-gloss softcore erotica suitable for the mixed gender, home-viewing audience, and the later Chromium Blue series. For better or worse, Lyne and King defined what some people thought “visual erotica” should be. 

Hallmarks of the Lyne-King style: Heterosexual, with occasional girl-girl scenes. No frontal male nudity, and definitely no erect penises. Definitely going further than network TV, but stopping before hardcore porn. Loving high-contrast closeups on consumer goods like CD players and food. A middle-class aspirational aesthetic.

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Oct 252020
 

Cleopatra is a 1934 historical epic/romance, directed by Cecil B. DeMille. It came at the end of the pre-Hays Code era, when American films could be more sexually explicit. Just to be clear, it is also far from historically accurate. 

The film sets up a contrast between austere and republican Rome and the decadent and autocratic Egypt, personified by Claudette Colbert as Queen Cleopatra in a series of extravagant, revealing dresses. We’ve seen this divide before between the West and the Orient. The film also borrows a lot from the Orientalist art tradition of the previous century, with Cleopatra lounging on silken beds, surrounded by slave girls in chains. 

After the credits and a quick shot of the pyramids and palm trees, the first thing we see is a nearly nude woman (in silhouette) in chains, standing and backlit. Sex appeal is front and centre. 

The title shot of the film.
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Aug 202020
 

Sex and the City S02E12, “La Douleur Exquise!”, aired August 22nd, 1999 IMDB Title translates to “the exquisite pain”

Sex and the City was a popular dramedy series about single women in New York City around the turn of the millennium. 

The opening narration of this episode makes it clear that BDSM is just another aesthetic to be adopted, consumed, and abandoned, befitting the series’ consumerist ethos. 

Carrie (vo) “New York City restaurants are always looking for the next new angle to grab that elusive and somewhat jaded Manhattan palate. Last year it was fusion Cajun. Last month it was mussels from Brussels. And tonight, it’s S&M.”

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Aug 112020
 

Bones S01E08 “The Girl in the Fridge”, aired November 29, 2005 IMDB

Bones is another forensic investigation procedural TV series. 

The case begins with the discovery of a decayed skeleton in an abandoned refrigerator. The forensic anthropologists determine that the deceased is a missing young woman, Maggie Schilling, who was held for ransom, but then the kidnappers broke off communication. She also had a condition that made her bones brittle, particularly stress fractures in her wrists.

The series’ protagonist, Dr. Temperance Brennan, says:

“She did fight, Michael. They kept her tied up like an animal. But she fought. That’s how she got those stress fractures, because she was bound and struggling.”

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Jul 272020
 

CSI:NY S01E16 “Hush”, aired February 23, 2005 IMDB

Yet another dead naked woman in bondage. CSIs Aiden and Danny investigate.

It turns out that the deceased was strapped to a device on the front of a speeding pickup truck, House of Gord-style. The truck collided with a tree, killing her. 

An abandoned truck found nearby has a strange device mounted on the front, which includes a label saying, “Place Shoulders Here”. This includes a device with a red button. The truck contains a bag with a latex bodysuit, a ball gag with teeth impressions, and straps.

Aiden: “Pulp Fiction. Nice.”

Danny and Aiden find a toybag in the abandoned truck
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Jun 072020
 

“Loud and Proud”, aired 1 May 2005 IMDB

The L Word was a night-time soap about a group of lesbian and bisexual women in West Hollywood, with multiple continuing storylines. 

“Loud and Proud” is centered on Pride Weekend in LA. In the previous season, Jenny arrived in West Hollywood and began exploring her sexuality, which caused some complications with her boyfriend. Jenny broke up with him and joined the other characters.

The cold-open shows two women having a BDSM session, in the red-on-black color scheme we will see repeatedly in this episode. The bottom is cuffed to a St. Andrew’s cross. There’s no nudity, and only a couple of light impacts with a flogger. 

The top says, “I’m going to give you a minute to think about how badly you want me to fuck you.”

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Jun 052020
 

“Slaves” aired May 19, 2000 IMDB

“Slaves” treads some of the same ground as “Stocks & Bondage”, earlier in the first season, as the primary antagonist is a man who psychologically controls multiple women. In this case, there is no financial element to the crimes. 

A street vendor turns in a note asking for help from an unknown woman. The detectives track down the woman named in the note, the aunt of a Romanian immigrant woman, Elena. It would have ended there, but the aunt turns up murdered. 

Detectives Munch and Stabler grill Morrow
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May 042020
 
Cover illustration by Michael Manning

Tales of Gor (Postmortem Studios, 2017) is the licensed tabletop role-playing game adaptation of John Norman’s notorious Gor series of sword-and-sorcery novels, written by James “Grim” Desborough and illustrated by Michael Manning. Gor is notorious for heavy themes of slavery, sadomasochism, male dominance and female submission, and for long philosophical digressions justifying those themes. Since 1966, there have been more than 30 novels published in the series. The series has inspired a strong cult following, including a small branch of BDSM culture devoted to Gorean style slavery, both in real life and online in Second Life.

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