Mar 242026
 

No, it can’t, and it’s not supposed to.

When conservative culture turns its attention to BDSM as a practice and as a culture, the most common view is the neo-Puritanism position that kink is a perversion, the product of an overly permissive, decadent, pornified culture. The shock provides titillation.

However, sometimes the response is different, and the conservatives see BDSM as an application of their ideals. Take, for example, Kelly Brogan and Chantel Quick’s essay “Can BDSM heal the world?” (undated).

According to her website bio, Brogan is a certified psychiatrist, or rather was, as “Dr. Brogan chose not to renew her board certification which expired on 12/31/19”. She is certified in “Integrative Holistic Medicine, ABIHM (The specialty recognition identified herein has been received from a private organization not affiliated with or recognized by the Florida Board of Medicine).”

She is also a major figure in the COVID-denial movement and an anti-vaxxer.

Brogan’s essay opens up with a fairly typical description of bottoming in a bondage session, followed by touting it as the solution to marital problems. However, my whiskers twitched when I got to:

…I believe that we now have the opportunity to mature the insidious backdrops of warfare consciousness and the idea of every man and woman for themselves into the consciousness of complementarity and mutual service.

This is known as complementarianism, a theological view that the two (and only two) sexes are fundamentally different yet complementary. It’s a “separate but equal” idea of gender relations, that in practice tries to cover up a lot of gender inequality.

Brogan and Quick go from garbled Freudian psychology to conspiracy theory.

According to many, feminism was a Rockefeller-funded, socially engineered movement that offered women the poison apple of egalitarian opportunity, and in exchange, they were removed from their homes and role of primary caretaker of their children and added to the taxpayer population.

BDSM becomes the solution to what Brogan and Quick see as the problem of distorted gender roles; complementarianism in action. Their description starts off okay, talking about consent and safety:

BDSM organizes partners into defined roles, connects them through consensual agreements, and creates the conditions for ecstatic union to be channeled through the reclamation of safe power.

But then you notice things like the assumption that the sub must be female and the dom must be male. Though they reference a book written by a dominatrix, Kasia Urbaniak, and talk about using dom and sub roles to ask for money from an uncle, the essay soon returns to the essay of essential female submissiveness.

Why submit?
Because that’s actually what we want as women. We don’t want to be the best man in the room. We want to be well-handled by capable hands so we can finally exhale. Recently presenting at a Weston A. Price conference, I responded to a question about gender dynamics, in part, with the statement, “most women I know long to be well-handled by a powerful man,” and a sensual sigh swept across the 2,000 person room.

This ties into ideas of “surrender” and “a stable, strong, courageous, and intentional man stabilizing a woman’s nervous system”. They even argue that women will unconsciously create their own conditions of confinement, which Brogan ties to her own career struggles for being called one of the “Disinformation Dozen” for her anti-vaccination work.

When talking about the benefits of BDSM, the gender essentialism comes through again.

BDSM offers a framework to resolve the all-too-common pathology of cowering, insecure men and hen-pecking controlling women; when we get into Dom/Sub dynamics, a safety and coherence returns to the field that creates the conditions for true connection.

The essay concludes with a strange contortion of presenting a traditionalist view of heterosexual relationships as being a clever rebellion against the system.

The system would love to remain in charge of determining who’s been a bad girl, who hasn’t, and who gets what punishment, but wouldn’t it be better to empower your man to do that for you? 😉

You’d never know from this essay that BDSM includes switches, or LGBTQ people, or people who don’t engage in dom-sub at all. Brogan and Quick are drawing on the transgressive cachet of BDSM to sell gender essentialism with the promise of better sex and other life benefits that BDSM can’t necessarily deliver. Kink is not the solution to the made-up problem of “cowering, insecure men and hen-pecking controlling women”. Note also that the essay draws on a dominatrix’s book, and Brogan epitomizes the kind of well-educated, professional woman who makes a career out of selling anti-feminism, alongside general crack-pottery.

In my opinion, people should keep their fantasies and their politics separate. The “tradwife” ideal works better as a femsub/maledom fantasy/roleplay scenario than as an actual plan for life. Likewise, if you are a man who wants to pay some guy $10,000 for a weekend-long re-enactment of the first act of Full Metal Jacket, go right ahead; just don’t think it will fix whatever is eating at you.

Nov 032025
 
Cover of the 1978 edition

Nothing had prepared me. Some years back I had read The Story of O [sic], intrigued by the beginning, horrified after a few pages, repulsed long before the end. Sadomasochists in real life were black-leather freaks, amusing and silly in their ridiculous getups. If a friend, a peer, had told me she had herself tied to a table leg at home after a full day’s work at the office– well, it has never come up. God knows I would not have believed it. [Pg.54]

Nine and a Half Weeks by Ingeborg Day under the pseudonym Elizabeth McNeill, published 1978, is the semi-autobiographical account of her brief, obsessive, masochistic affair with an unnamed man. It was eventually adapted into the notorious Nine and a Half Weeks film in 1986, starring Kim Basinger and Mickey Rourke.

I had viewed and read about the film quite a bit before I read the short novel. It differs in several significant points. (For convenience, I will refer to the POV character as Elizabeth and her lover as John, though he is not named in the book.)

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Jul 102025
 

Pérez Seves, Richard. John Willie: The Story of John Alexander Scott Coutts. 2024 Amazon

Coutts in a relaxed moment.

The latest in Richard Pérez Seves’ series of biographies of kink figures in the 20th century documents the life of John Alexander Scott Coutts, better known as “John Willie”, the artist and publisher of Bizarre magazine. Along the way, the reader also meets Coutts’ freethinking model, muse and wife, Holly Faram; the “g string king”, Charles Guyette; National Police Gazette editor Edith Farrell; Harry Bodham-Wetham, AKA “Achilles”, high heeled shoe artisan; photographer and producer Leonard Burtman; and mysterious individuals known only by nicknames like “the Chicagoan” and “Little John” and “A Manhattanite”.

Coutts was a key node in a globe-spanning network of misfits, eccentrics and entrepreneurs. Born to a wealth English family, Coutts could have led a comfortable life, but instead walked away and ended up an itinerant labourer in Australia, then a merchant seaman. In the recorded interviews that are the foundation of this work, he described himself as unusual even from an early age, aware of his strong attraction to women in high heels. His interests brought him to the fetishistic letters in London Life magazine and then to a friendship with contributor “Achilles”, an alias he later used for himself. His dissatisfaction with the fetish content of London Life led him to create what would eventually be Bizarre (he admits he pirated fetish letters from the earlier magazine), but contingencies like WWII and his own difficulty in getting a steady income got in the way. He had to support himself as a seaman while he published the magazine and distributed it by hand on consignment. It was not the “get rich quick” scheme he had dreamed.

Holly Faram, Coutts’ wife, muse and model.

Coutts networked with people in the softcore magazine publishing space, including National Police Gazette editor Edith Farrell and girlie magazine publisher Max “Robert” Harrison, who bought Coutts’ Sweet Gwendoline damsel-in-distress comic strip and other works. Harrison put Coutts in touch with brother-sister duo Irving and Paula Klaw, who had been turned on to the market for new bondage/fetish media by the mysterious “Little John”. Coutts’ artistic perfectionism clashed with Klaw’s profit-driven style and fear of the authorities. The artist had to censor his own work, sometimes hand-painting underwear onto nudes, before the publisher would accept them.

Coutts also disliked Klaw’s business practices, such as not paying models and getting photographers to pay for access to the models and having to hand over their own work for Klaw to sell. Coutts, who prided himself on being a gentleman and a professional with his models, was the producer-practitioner of fetish media, on the border between producers like Klaw and Harrison and the numerous anonymous fans and practitioners. This business partnership did not last.

Bizarre was Coutts’ labour of love, which was both its saving grace and its greatest hindrance. As a one-man operation that was full of his meticulous artwork with realistic bondage, not to mention photography, it couldn’t hope to be published monthly, as promised. Instead of forgettable schlock, Bizarre was haphazardly published art. That’s why we remember Coutts and his work now.

There’s dark stuff in this story too: Coutts’ failed marriage with Faram, his struggles with alcoholism, and the tragic story of how one of his models, Judy Dull, was kidnapped and murdered by “the Glamour Girl killer”, Harvey Glatman.

After he gave up publishing Bizarre and mainly worked as a photographer in Los Angeles, Coutts was diagnosed with brain cancer. Radiotherapy gave him a brief extension, during which he agreed to be interviewed by Paul Gebhard of the Kinsey Institute. The transcript of that interview became the foundation of this work.

Pérez Seves’ book is a beautiful portrait of Coutts and his world, illuminating a history that so easily could have been forgotten. The reproductions of Coutts’ artwork and photography add to the value.

Editorial aside: I think the time is ripe for a John Willie biopic.

May 152025
 

Elust is the only place where the smartest and hottest sex bloggers are featured under one roof every month.

Whether you’re looking for sex journalism, erotic writing, relationship advice, or kinky discussions, it’ll be here at Elust.

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Product Reviews

Morgan Destera, TOY TEST – Sohimi Viele 3 Flapping Licking Vibrator

Sydney Screams, Everything You Need to Know About Sex Grinders

Tantric Sexual Healing, Erotic Alchemy in the Age of Disconnection: Tantric Pathways to Re-Enchanting Intimacy and Desire

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Liz X, My Nomi AI Girlfriend Lily – A Tale of Trust and Digital Intimacy

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Jerusalem Mortimer, In the Realm of the Sensei – Prologue 11

Spices of Lust, The Archivist’s Secrets: The Hidden Map (Part 1)

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Sex Worker Search, Crime and Policing Bill UK Proposed Amendments Relating to Sex Work

Fox Digital, WordPress, Squarespace, Wix. Which Platform Is Best For Your Escort Website?

Elizabeth of London, MMF & FFM

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History of BDSM, Not a Love Story (1981): The Celluloid Dungeon

Frank Noir, Favourite porn #9: Paul Thomas

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Femina Viva, What do we do with fake allies or do they just not know any better?

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Kristina J, Reflecting on My Sexual Conditioning: Unraveling the Messages I Grew Up With

Mx Valentina, Simple is beautiful: the joys of a barehanded spanking

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Ramone Quides, Framing For a Better 2025

Thoughts & Advice on Kink & Fetish

The Sex Shed, How to use a riding crop? Scenarios and how to (techniques)

Apr 182025
 

Elust is the only place where the smartest and hottest sex bloggers are featured under one roof every month.

Whether you’re looking for sex journalism, erotic writing, relationship advice, or kinky discussions, it’ll be here at Elust.

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Thank you to Valentina for the repost and also Tantric Sexual Healing, Miss Ruby Reviews, Ambyr Leigh, Jerusalem Mortimer, Morgan Destera, Sex Worker Search, and Femina Viva. That’s 9 reposts in total last month including mine. 9 is pretty good! The more people do the reposts, the greater the value Elust has for everyone with a link included in terms of site visitors it generates and for SEO from all the new backlinks you get.

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Jasmine Gold, Learning to Obey: Her Fantasy Denial

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History of BDSM, The Idiots (1998): The Celluloid Dungeon

Apr 022025
 

Youtuber Matt Bernstein speaks with Moira Donegan and Adrian Daub (of the podcast In Bed With The Right) about “The Incoherent Sexual Politics of the Right”. The right wing/conservative resurgence we’ve seen over the past decade or so swings widely from the puritan to the libertarian in sexual matters. There’s a desperate scramble to seize the sexual high ground, to present themselves as the side of beauty and pleasure, and denigrate the sex of queer people and feminists as ugly and boring.

In particular, the conversation follows the trajectory of the “tradwife” image, epitomized by the “raw milkmaid dress”. They describe how the tradwife went from the epitome of conservative female modesty and domesticity to a sexualized fetish outfit over the span of only a year or two. Classically Abby, one of the best known advocates of tradwifism, shut down her Youtube channel late last year, because of the raunchy side of her supposed supporters.

There’s a long-standing precedent of female clothing that is supposed to de-sexualize the wearer becoming sexualized and fetishized; e.g. the French maid cliche. That a fetishized version of the tradwife image would appear so quickly is hardly surprising.

It represents the internal rift in the conservative movent, between the puritan and libertine wings. The image of the tradwife in Evie magazine, as modest yet seductive, sexually adventurous yet strictly hetero and monogamous, proved untenable. They couldn’t reconcile that dialectic.

Puritans and libertines have one thing in common: they both believe they should have control over other people’s bodies. In Margaret Atwood’s dystopian The Handmaid’s Tale, the patriarchal, theocratic fascists of Gilead subdivide women into specialized groups, each with their own sartorial code: handmaids in red for reproduction, wives in blue for running households, aunts in brown to manage handmaids, marthas in green for housework, and jezebels in fetish costumes from the old “decadent” days. They’re all different parts of the same system.

Jan 172025
 

Elust is the only place where the smartest and hottest sex bloggers are featured under one roof every month.

Whether you’re looking for sex journalism, erotic writing, relationship advice, or kinky discussions, it’ll be here at Elust.

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Miss Ruby Reviews, A Decade in the Sex Toy Industry

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Modesty Ablaze, Modest 50 Sexy Questions – 6 to 10

Awakening Your Inner Essence, The alchemy of surrender and activation

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History of BDSM, “People Who Like Kinky Sex Are Just Bad In Bed”: Evie Magazine and the Raw Milkmaid Dress

Jan 012025
 

The sexual dynamics of the American conservative resurgence have been fascinating over the last few years.

Evie Magazine is a conservative women’s magazine first published in 2019. Its aesthetics and content reflect the “trad life/trad wife” movement, creating a pastoral fantasy of rural, agrarian labour combined with an idealized hetero-nuclear family. At the fringier end of things, Evie’s content splices into ideologies like pronatalism, anti-vaccination, the benefits of “raw milk” and other health quackery, transphobia, anti-feminism, COVID denial, QAnon, etc.

It’s epitomized by the “tradwife” image, a (white) long-haired woman in a white or print dress, hair kerchief, and cowboy boots who has had borne and raised several children while running a country farm and baking her own bread daily, and yet somehow still looks like a fashion model. She does no paid labour outside the home, instead leaving that to her commuting (white) husband.

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