Oct 172020
 

The documentary Bloodsisters, covering the San Francisco leatherdyke community in 1995, is currently streaming online as part of NewFest, New York’s LGBTQ+ film & media festival. The streaming will last until October 27, 2020.

You can view the trailer and some supplemental interviews and other materials on Vimeo. There was an online discussion with the director, Michelle Handelman, and others in August 2020, available on Youtube.

NOTE: I attempted to view this stream in Canada and was refused. It may only be available for viewers in the USA.

Aug 072020
 

Eurotrip is a 2004 teen comedy. 

Eurotrip is a very parochial movie, with the American teens treating Europe as if it is a terrifying land of threatening depravity. The plot itself is premised on heterosexual gay panic: the protagonist doesn’t realize that he has become email pals with a German girl and thinks a man is propositioning him. When he realizes his mistake, he goes on a trip with some friends across Europe to find his love and make amends. 

Much of the comedy is the characters attempting and failing to enjoy European pleasures supposedly forbidden in puritanical America. (Two of the “vices”, cannabis and absinthe, are now mostly legal in the USA.)

Madam Vandersexxx (Lucy Lawless)
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Jul 142020
 

The General’s Daughter (IMDB) is a 1999 mystery/thriller. 

US Army Captain Elizabeth Campbell, a psychological warfare expert and the daughter of a famous general, is found staked out nude and dead on a training ground. Two warrant officers from the Criminal Investigation Division investigate and discover a web of sexual abuse and coverups. 

The discovery of Campbell’s body
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Jul 012020
 

Body of Evidence (IMDB) is a 1992 erotic thriller/neo-noir film starring Madonna and Willem Dafoe. It was part of the genre epitomized by Fatal Attraction (1987) and Basic Instinct (1992), but didn’t inspire their level of critical attention.

To quote Sean McGovern at The Film Experience:

Body of Evidence arrived at a particular nexus of Madonna’s career. Riding on the wave of Like A Prayer, pushing boundaries with the Blonde Ambition Tour and the exuberant Truth or Dare, Madonna’s imperial phase began to dip with her boundary-pushing take on sex and erotica; namely, SEX and Erotica. While Madonna would remain unapologetic, Body of Evidence, and the accompanying explicit period in career concluded with one of the most consistent criticisms of Madonna: rigid-perfectionism and managed-spontaneity…

[…]

The most grating problem with Body of Evidence is how reductive derivative it is. Released a mere 8 months after Basic Instinct, it’s shocking to see how much of it feels directly lifted from it and other films of its genre.

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Apr 072020
 

Romance is a 1999 French drama film, written and directed by Catherine Breillat. 

[Unless noted otherwise, all quotations are from the subtitles.]

Breillat is notorious for explicitly showing sexual acts in her films, as well as her unsentimental view of heterosexual relations. Sex between men and women is always a conflict in Breillat’s films, though who is winning isn’t always clear. 

The protagonist is Marie (Caroline Ducey), a young woman who lives with her boyfriend Paul (Sagamore Stévenin), a model. In the first scene, Marie watches from a distance as Paul is posed as a matador in a photoshoot with another female model. The photographer instructs Paul and the model in performing proper masculinity and femininity.

Marie (Caroline Ducey) tries to arouse Paul (Sagamore Stévenin)

They return to their apartment, where their clothes and the furnishings are all white and off-white. Instead of innocence, it suggests sterility and emptiness. Paul rejects Marie’s sexual advances again, in a reversal of the usual gender roles. 

Paul’s passive-aggressive head game is that if he completely eliminates sexual desire in himself, he gains the upper hand in his relationship with Marie. Having her dance on the end of his string is more interesting to him than actually fucking her. 

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Apr 062020
 

Love & Human Remains is a 1993 drama film. It tells several interwoven stories of people in the big city, while in the background a serial killer murders women. The main character is David (Thomas Gibson), a gay former actor who coasts through life as a waiter and nightclub regular.

Love definitely has some resemblance to Cruising: paranoid people in an urban environment, a serial killer who could be anybody, masculinity in crisis. We get glimpses of the killings on news shows, but the characters, too self-absorbed, skip past them. 

Benita (Mia Kirshner) seems to vibe on that urban paranoia. She’s primarily a dominatrix, often telling classic urban legends (e.g. “the guy with the hook” or “the baby sitter and the extension cord”) during her sessions with men in her apartment. 

Benita (Mia Kirshner) in full dominatrix gear
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Apr 012020
 

Tomcats is a 2001 sex comedy. 

Tomcats is a catalog of white heterosexual male anxieties at the turn of the millennium: castration, marriage, children, public humiliation, romantic and sexual rejection, unruly female bodies, being outperformed by women professionally, women turning into lesbians, and women who are too sexual. For the purposes of this project, the relevant scene has the same comedic premise as in Eurotrip: that even the horniest man can be overwhelmed by the most voracious woman.

What lies beneath the meek exterior of librarian Jill (Heather Stephens)?

The premise is that a group of male friends made a bet that whoever is the last unmarried gets all the money in a large mutual fund. Our protagonist, Michael (Jerry O’Connell), tries to impress a woman at a Vegas casino, ends up owing $50,000, and has to get his womanizing single friend, Kyle (Jake Busey) married by the end of the month so he gets the money. 

Michael finds Natalie (Shannon Elizabeth), the one who got away for Kyle, who turns out to be a police detective. They set about seducing Kyle, while our protagonist starts falling for the woman. Natalie tells Michael that she’s falling for Kyle, prompting Michael to seduce the first woman he sees, which goes spectacularly awry.

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Mar 242020
 

Live Nude Girls is a 1995 comedy-drama film, about a group of women who gather for a bachelorette party and mostly talk about sex.

The film starts with women as tween girls having a slumber party in a tent with a poster of David Cassidy, the dawning of their sexuality. In the present, the women mostly talk about their early experiences in the 70s, like reading page 26 of The Godfather, or sneaking peeks at their fathers’ copies of Playboy. Some of these are acted out in fantasy sequences. These women have a complex tangle of desire, vanity, anxiety and shame in their past and present sexual lives. 

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Mar 022020
 

Bound (2015) (not to be confused with Bound (1996), the lesbian-noir thriller directed by the Wachowskis) has an interesting pedigree. It was made by The Asylum, best known as the producers of numerous “mockbusters”, low budget, direct-to-video knock-offs of popular Hollywood films. Usually, these are science fiction, disaster and horror films (e.g. Transmorphers, based on Transformers), but a few belong to other genres. Bound is The Asylum’s take on Fifty Shades of Grey (which, in turn, is a take on the Twilight series of books and films). 

Let’s get one thing clear. Bound is not a great film. The production values are low, the acting isn’t great, entire scenes seem to be missing from the story, and there are more than a few plot holes.

And yet….

It is a better cinematic treatment of a woman’s introduction to BDSM than Fifty Shades of Grey. 

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Nov 192019
 

After Hours (IMDB) is a 1985 comedy directed by Martin Scorsese. This is one of the single-scene works covered in this project.

Paul, a lonely word processor in mid-80s, midtown Manhattan, meets Marcy in a late night cafe. She invites him to visit her downtown in Soho, which leads to a bizarre series of late night encounters.

One of them is with Kiki (Linda Fiorentino), Marcy’s roommate. We’re introduced to Kiki in just a bra and a skirt, spattered with paper mache. She’s a sultry contrast to Marcy, who is blonde and innocent-looking.

Kiki (Lina Fiorentino) and Paul (Griffin Dunne)
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