film – The History of BDSM

Submission, aka Scandalo (1976): The Celluloid Dungeon

Mar 162026

Submission, also known as Scandalo, is a 1976 Italian drama film, set in WWII-era France on the eve of Germany’s invasion. Wartime stress builds up within a household until the breaking point.

It’s centered around the pharmacy run by pharmacist Eliane Michaud, who employs Juliette and Armand. Her house is upstairs, inhabited by her kind but distant intellectual husband, Henri, and her beautiful teenage daughter, Justine. (“Justine” and “Juliette” are likely references to two of the Marquis de Sade’s novels.)

Secret Life of a Dominatrix (2024): The Celluloid Dungeon

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Mar 132026

Anna (Ashley Dougherty) in session with May (Mariel Molino)

Secret Life of a Dominatrix is a 2024 made-for-TV movie directed by Gabby Revilla Lugo and starring Mariel Molino and Andrew Biernat.

Secret Life is clearly post-Fifty Shades as the inciting incident is a group of women reading an erotic novel in a book club, and it also draws on the Netflix “female-centric thriller” genre. Generically, it’s an heir to the tradition of the direct-to-cable or direct-to-video erotic thrillers and melodramas of the 1990s: female subjectivity and sexual development, upper-bourgeois setting, the acute anxiety of sex and danger in a post-HIV world, sex scenes that stay well-within the lines of an R rating.

TammyJo and Peter discuss Sanctuary (2022)

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Feb 172026

https://www.youtube.com/watch?v=sJYskmcazFk

You can watch my friend TammyJo and I discuss Sanctuary (2022).

Nine and a Half Weeks (1978)

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Nov 032025

Nothing had prepared me. Some years back I had read The Story of O [sic], intrigued by the beginning, horrified after a few pages, repulsed long before the end. Sadomasochists in real life were black-leather freaks, amusing and silly in their ridiculous getups. If a friend, a peer, had told me she had herself tied to a table leg at home after a full day’s work at the office– well, it has never come up. God knows I would not have believed it. [Pg.54]

Nine and a Half Weeks by Ingeborg Day under the pseudonym Elizabeth McNeill, published 1978, is the semi-autobiographical account of her brief, obsessive, masochistic affair with an unnamed man. It was eventually adapted into the notorious Nine and a Half Weeks film in 1986, starring Kim Basinger and Mickey Rourke.

I had viewed and read about the film quite a bit before I read the short novel. It differs in several significant points. (For convenience, I will refer to the POV character as Elizabeth and her lover as John, though he is not named in the book.)

Pillion (2025): The Celluloid Dungeon

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Oct 062025

Pillion is a 2025 romance/drama, directed by Harry Lighton and starring Alexander Skarsgard and Harry Melling IMDB

A shy gay man meets a handsome biker and becomes his submissive.

[Spoilers ahead]

Collin is an out but shy and inexperienced gay man. After singing in a barbershop quartet in a pub on Christmas Eve, he sees Ray, a tall, handsome biker who might have stepped out of a Tom of Finland illustration. Later that night, Ray is joined by a group of other bikers, some of whom are submissive to others. Ray discretely orders Collin to perform a small act of service. Collin complies, and Ray slips him his number.

The Marburger list: BDSM in film and television, pre-1975

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Jul 242025

Linda Evans is a damsel-in-distress in *Beach Blanket Bingo* (1965)

My most intriguing find in the Kinsey Archives was a 51-page mimeograph of a typewritten document from 1975, Bondage Fantasies in Popular Entertainment, attributed to “G. Allen Marburger.” It’s an idiosyncratic list of bondage scenes in mainstream film and television, possibly an unpublished magazine article, as there are references to kink-media company HOM (House of Milan).

Not a Love Story (1981): The Celluloid Dungeon

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Apr 222025

Not a Love Story: A Film About Pornography is a 1981 Canadian documentary, directed by Bonnie Sherr Klein. It includes interviews with adult photographer Suze Randall, stripper Lindalee Tracey (aka “Fonda Peters”) and porn performer Marc Stevens. There are also interviews with and footage of second-wave feminist figures like Kate Millett, Robin Morgan, Margaret Atwood, Susan Griffin and more.

Obviously, a lot has happened in the 44 years since the film was released. In 1981, the home video revolution was just starting, almost no one had heard of AIDS, Times Square in Manhattan had porn theatres and live sex shows, and the Internet only connected a few universities and government agencies. Cruising came out the previous year, as did Linda Lovelace’s autobiography Ordeal, and the “lesbian sex wars” were just gearing up. However, the issues in this film are still very relevant, especially considering the neo-Puritan movements of the 2020s.

Sick: The Life and Death of Bob Flanagan, Supermasochist (1997): The Celluloid Dungeon

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Mar 262025

Sick: The Life and Death of Bob Flanagan, Supermasochist is a 1997 documentary by Kirby Dick about the titular Bob Flanagan, an artist with cystic fibrosis and, unusually, lived into his 40s. Flanagan combined his performance art and artworks with his BDSM practice, including being the slave of his mistress and wife, Sheree Rose.

(Most of the Celluloid Dungeon project is about fiction films, but I will explore a few documentaries along the way.)

The Idiots (Idioterne) (1998): The Celluloid Dungeon

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Mar 172025

The Idiots is a 1998 Danish black comedy/drama written and directed by Lars von Trier, shot under the rules of the Dogme 95 manifesto.

The semi-mockumentary film concerns a small group of people who pretend in public to be mentally disabled, which they call “spazzing”. They do this as an elaborate prank, as a kind of performance art, as a passive-aggressive attack on society (épater les bourgeois), and for other reasons. Rotating members of the group play “the minders”. Karen, a seemingly lost woman, is swept up in the group and stays with them.

Stoffer draws Karen into the group of “spazzers”.

George Costanza: [In a depression clinic] I should be in a place like this. I envy this woman. You get to wear slippers all day. Friends visit. They pity you. Pity is very underrated.
Seinfeld, S03E02 “The Truth”

I discuss this film because it brushes up against certain expressions of masochism, particularly those that involve public roleplay and abjection. We know that Hannah Cullwick and Arthur Munby often did public roleplay, as did Leopold von Sacher-Masoch and Aurora Rumelin. This connects with the kink of disability fetishism, such as the creative works of “Paracathy“, as well as certain forms of ageplay.

Babygirl (2024): The Celluloid Dungeon

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Mar 032025

Babygirl is a 2024 drama directed by Halina Reijn and starring Nicole Kidman, Harris Dickinson and Antonio Banderas.

Romy (Kidman) is a corporate executive in an automated shipping company. She’s also the mother of two teenage daughters, and wife to her stage director husband Jacob (Banderas). One montage shows that she subjects herself to exercise and cosmetic treatments, like botox.

Her backstory is that she was raised in hippie communes, but went into the corporate world, and brings her smartphone to bed with her. Much of her job appears to be performing prepared scripts for corporate videos, full of neoliberal buzzwords. She puts a human face on what is basically an inhuman process, represented by shots of blocky robots working in an automated warehouse.

The pressures of Romy’s seemingly ideal life leave her stretched thin. After faking an orgasm with her handsome and loving husband, she tiptoes to her home office, plays maledom/femsub porn on her laptop, and masturbates while covering her own mouth.

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A Lover's Pinch: A Cultural History of Sadomasochism