Cruz, Ariane. 2016. The Color of Kink: Black Women, BDSM, and Pornography (Sexual Cultures)
In the (now missing) tumblr post above, raceplay is called a “gross kink”, equated with “fetishizing little girls”, and placed outside the realm of sex positivity. Why exactly is raceplay on the other side of the line marked “edgeplay”? And where do black women fit within the current kink culture?
McInnis, Maurie D. Slaves Waiting for Sale: Abolitionist Art and the American Slave Trade. University of Chicago Press, 2011
Slaves Waiting for Sale, by Eyre Crowe
This is an excellent work as a reference from the Virigina slave trade in the 1850s. The author includes all kinds of “you are there” details, including clothing and architecture.
Built around work of British artist and journalist Eyre Crowe, who travelled in America in the 1850s as secretary to author William Thackery on a lecture tour.
Crowe read Uncle Tom’s Cabin before he saw any actual slavery, but was moved by it. (Pg.4) Purchased from street book merchant, also selling Thackery’s books. Crowe was “properly harrowed” by the book. (Pg. 19)
Patterson, Orlando. Slavery and Social Death: A Comparative Study. Harvard University Press, 1982 Amazon
I’m still trying to parse out the exact relationship between real-world slavery and the eroticized version we see in the modern BDSM culture. What is the connection?
Django Unchained 2012, writer/director Quentin Tarantino, IMDB
(Spoilers ahead)
Briefly, Django Unchained is about a slave in the Old West, before the Civil War, who is freed by, then partnered with, a German bounty hunter, Dr. Schulz. They set off on a quest (explicitly compared to the German legend of Siegfried/Sigurd) to recover Django’s wife Broomhilda from a plantation known as “Candie Land”.
by Thomas Stothard, c.1801
We’ve seen a lot of anti-slavery and abolitionist art and other media, but there’s pro-slavery art and media out there too.
Davis, Robert C. Christian Slaves, Muslim Masters: White Slavery in the Mediterranean, the Barbary Coast, and Italy, 1500-1800. Palgrave MacMillan, 2003 Amazon
What you might call “Mediterranean slavery”, of Christian Europeans captured through piracy or raids and enslaved in North Africa or the Near East, coexisted with Atlantic slavery, roughly paralleling the dates. While the numbers about Atlantic slavery are pretty solid, the numbers on Mediterranean slavery are far less so, and Davis is forced to piece together rough estimates from a variety of different sources.
Trying to pin down numbers of Barbary slavery is beyond the scope of this blog, and I don’t want to get into any kind of “oppression Olympics” about different slave economies. (Discussions of white slavery tend to bring out people with an axe to grind. One discussion of Barbary coast slavery on Fetlife included a post with a link to a white pride site. This included lengthy incoherent rants about the place of white people in history. One passage included an array of pictures of tribal people with facial tattoos or body modifications, followed by another array of white people with facial tattoos or piercings. The caption said that these white people took no pride in their heritage and were trying to imitate other races.)
Brooten, Bernadette J., ed. Beyond Slavery: Overcoming Its Religious and Sexual Legacies. Palgrave MacMillan, 2010.
Although Jewish, Christian, and Muslim religious leaders have always recognized the difference between slavery and marriage between men and women, they have sometimes applied concepts from slavery to marriage.
Pg. 8, “Introduction” by Bernadette J. Brooten
Clissold, Stephen. The Barbary Slaves. Elek Books, 1977 Gbooks
Up until now, I had focused most of my attention on Atlantic slavery as an source for BDSM fantasies, but there are other influences that go back centuries. The older some historical event is, the more it has decayed into myth. It underlies more recent events. Abolitionists used Orientalist and Gothic ideas to talk about American slavery and in doing so harkened back centuries to Barbary Coast slavery, when Christians were enslaved by Muslims in North Africa and the Middle East. It was a roughly two-century period marked by Christian Europe’s relative rise as a world power and Muslim Northern Africa’s relative decline.
The word “slave” is an emotionally charged one.
I began my BDSM career in the early ’90s with an email slave relationship with a woman on the other side of the continent. It lasted over a year, with a contract, daily reports, exchanged gifts by mail, and so on. I had the notion that this is just what you did. (I eventually met her in person, and we still stay in touch. She currently lives with two men, her husband and her slave.)
When I signed on to Fetlife for the first time, I chose “bottom” as my role, not “submissive” or “slave”. I carefully chose a name, “Liegeman”, that connoted the feudal relationship of mutual obligation (or at least the idealized version of that), rather than the kind of terminology associated with the institution of slavery. I’m just not comfortable with that language, especially after I started researching American slavery.
For me, and I imagine a lot of people, the word “slave” denotes American antebellum slavery: an unskilled labourer in a hereditary state of chattel bondage, justified by the worst combination of Calvinism and Darwinism.
Obviously, lots of people in the greater BDSM scene use the terminology of master-slave, but the meaning they apply to it is quite different. The relationship is paramount, with aspects of marriage, apprenticeship, and military discipline. While Masters talk about “owning” slaves, it isn’t ownership in the sense of property, but more like noblesse oblige or feudal obligation.
As I asked in my presentation, how did we get from one definition to the other?
A Fetlife post directed me to an entire page of Victorian paintings about slavery, or rather the Romanticized European view of slavery in “the Orient” or in ancient Rome, which was also a vehicle for female nudity. (Contrary to popular belief, Victorians had no problem with nudity if it was within the proper context.)
The page is in Turkish, but there’s little text anyway.
