Celluloid Dungeon – Page 2 – The History of BDSM

Pillion (2025): The Celluloid Dungeon

Oct 062025

Pillion is a 2025 romance/drama, directed by Harry Lighton and starring Alexander Skarsgard and Harry Melling IMDB

A shy gay man meets a handsome biker and becomes his submissive.

[Spoilers ahead]

Collin is an out but shy and inexperienced gay man. After singing in a barbershop quartet in a pub on Christmas Eve, he sees Ray, a tall, handsome biker who might have stepped out of a Tom of Finland illustration. Later that night, Ray is joined by a group of other bikers, some of whom are submissive to others. Ray discretely orders Collin to perform a small act of service. Collin complies, and Ray slips him his number.

Red Shoe Diaries S01E13 “How I Met My Husband”: The Celluloid Dungeon

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Sep 222025

Red Shoe Diaries S01E13 “How I Met My Husband”, Aired June 26, 1993 IMDB

“How I Met” starts off like a cross between a music video and a fashion show. Mistress Miranda’s dungeon is having an exhibition, with women and men in fetish gear strutting on a catwalk while a female announcer talks about the outfits and how much they cost. The frame is “dressing for power”. “Remember, leather, rubber and steel equals power and control.” It’s very aspirational and consumerist, locating kink in a fantastic world of wealth and glamour.

Red Shoe Diaries S01E03 “You Have the Right to Remain Silent”: The Celluloid Dungeon

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Sep 162025

Red Shoe Diaries S01E03 “You Have the Right to Remain Silent”, Aired July 14, 1992 IMDB

Zalman King, a former actor who produced Nine and a Half Weeks and a few other softcore mainstream films, created the anthology series Red Shoe Diaries which became the flagship of 1990s direct-to-cable-TV softcore erotica, free from the constraints of both the MPAA and Broadcast Standards and Practices. The framing device is that Jake (pre-X-Files David Duchovny) is haunted by the suicide of his fiancée. He found her diary and learned she was having an affair with another man. He places ads in newspapers asking women to tell him their stories of desire. The confessional mode, as an inquiry into the “truth” of female sexuality, is built into the series’ premise.

The Marburger list: BDSM in film and television, pre-1975

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Jul 242025

Linda Evans is a damsel-in-distress in *Beach Blanket Bingo* (1965)

My most intriguing find in the Kinsey Archives was a 51-page mimeograph of a typewritten document from 1975, Bondage Fantasies in Popular Entertainment, attributed to “G. Allen Marburger.” It’s an idiosyncratic list of bondage scenes in mainstream film and television, possibly an unpublished magazine article, as there are references to kink-media company HOM (House of Milan).

Not a Love Story (1981): The Celluloid Dungeon

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Apr 222025

Not a Love Story: A Film About Pornography is a 1981 Canadian documentary, directed by Bonnie Sherr Klein. It includes interviews with adult photographer Suze Randall, stripper Lindalee Tracey (aka “Fonda Peters”) and porn performer Marc Stevens. There are also interviews with and footage of second-wave feminist figures like Kate Millett, Robin Morgan, Margaret Atwood, Susan Griffin and more.

Obviously, a lot has happened in the 44 years since the film was released. In 1981, the home video revolution was just starting, almost no one had heard of AIDS, Times Square in Manhattan had porn theatres and live sex shows, and the Internet only connected a few universities and government agencies. Cruising came out the previous year, as did Linda Lovelace’s autobiography Ordeal, and the “lesbian sex wars” were just gearing up. However, the issues in this film are still very relevant, especially considering the neo-Puritan movements of the 2020s.

Sick: The Life and Death of Bob Flanagan, Supermasochist (1997): The Celluloid Dungeon

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Mar 262025

Sick: The Life and Death of Bob Flanagan, Supermasochist is a 1997 documentary by Kirby Dick about the titular Bob Flanagan, an artist with cystic fibrosis and, unusually, lived into his 40s. Flanagan combined his performance art and artworks with his BDSM practice, including being the slave of his mistress and wife, Sheree Rose.

(Most of the Celluloid Dungeon project is about fiction films, but I will explore a few documentaries along the way.)

The Idiots (Idioterne) (1998): The Celluloid Dungeon

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Mar 172025

The Idiots is a 1998 Danish black comedy/drama written and directed by Lars von Trier, shot under the rules of the Dogme 95 manifesto.

The semi-mockumentary film concerns a small group of people who pretend in public to be mentally disabled, which they call “spazzing”. They do this as an elaborate prank, as a kind of performance art, as a passive-aggressive attack on society (épater les bourgeois), and for other reasons. Rotating members of the group play “the minders”. Karen, a seemingly lost woman, is swept up in the group and stays with them.

Stoffer draws Karen into the group of “spazzers”.

George Costanza: [In a depression clinic] I should be in a place like this. I envy this woman. You get to wear slippers all day. Friends visit. They pity you. Pity is very underrated.
Seinfeld, S03E02 “The Truth”

I discuss this film because it brushes up against certain expressions of masochism, particularly those that involve public roleplay and abjection. We know that Hannah Cullwick and Arthur Munby often did public roleplay, as did Leopold von Sacher-Masoch and Aurora Rumelin. This connects with the kink of disability fetishism, such as the creative works of “Paracathy“, as well as certain forms of ageplay.

Babygirl (2024): The Celluloid Dungeon

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Mar 032025

Babygirl is a 2024 drama directed by Halina Reijn and starring Nicole Kidman, Harris Dickinson and Antonio Banderas.

Romy (Kidman) is a corporate executive in an automated shipping company. She’s also the mother of two teenage daughters, and wife to her stage director husband Jacob (Banderas). One montage shows that she subjects herself to exercise and cosmetic treatments, like botox.

Her backstory is that she was raised in hippie communes, but went into the corporate world, and brings her smartphone to bed with her. Much of her job appears to be performing prepared scripts for corporate videos, full of neoliberal buzzwords. She puts a human face on what is basically an inhuman process, represented by shots of blocky robots working in an automated warehouse.

The pressures of Romy’s seemingly ideal life leave her stretched thin. After faking an orgasm with her handsome and loving husband, she tiptoes to her home office, plays maledom/femsub porn on her laptop, and masturbates while covering her own mouth.

After Fall, Winter (2011): The Celluloid Dungeon

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Feb 172025

After Fall, Winter is a 2011 drama film, written by, directed by, and starring Eric Schaeffer, along with Lizzie Brocheré.

Michael (Schaeffer) is an American writer who is borderline suicidal because he is $600,000 in debt and struggling to sell his next book. On impulse, he takes a friend’s invitation to travel to Paris for the winter holidays. He also sees a pro-domme for humiliation.

Shadow Hours (2000): The Celluloid Dungeon

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Feb 072025

Shadow Hours (2000) is an independent drama film written and directed by Isaac H. Eaton and starring Balthazar Getty, Peter Weller and Rebecca Gayheart. IMDB

Michael Holloway (Getty) is a recovering drug addict who works the night shift at a Los Angeles gas station. He’s trying to plan for the future with his pregnant wife, Chloe (Gayheart). The pressures and isolation of his job push Michael towards using again. One night, Michael meets Stuart Chappell (Weller), a wealthy, mysterious stranger who claims to be a writer. Stuart takes a liking to Michael, buys him a new suit, and pulls him along on nightly expeditions into the dark underside of the city.

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A Lover's Pinch: A Cultural History of Sadomasochism