maledom – Page 4 – The History of BDSM

Cleopatra (1934): The Celluloid Dungeon

Oct 252020

Cleopatra is a 1934 historical epic/romance, directed by Cecil B. DeMille. It came at the end of the pre-Hays Code era, when American films could be more sexually explicit. Just to be clear, it is also far from historically accurate.

The film sets up a contrast between austere and republican Rome and the decadent and autocratic Egypt, personified by Claudette Colbert as Queen Cleopatra in a series of extravagant, revealing dresses. We’ve seen this divide before between the West and the Orient. The film also borrows a lot from the Orientalist art tradition of the previous century, with Cleopatra lounging on silken beds, surrounded by slave girls in chains.

After the credits and a quick shot of the pyramids and palm trees, the first thing we see is a nearly nude woman (in silhouette) in chains, standing and backlit. Sex appeal is front and centre.

Sex and the City S02E12: The Celluloid Dungeon

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Aug 202020

Sex and the City S02E12, “La Douleur Exquise!”, aired August 22nd, 1999 IMDB Title translates to “the exquisite pain”

Sex and the City was a popular dramedy series about single women in New York City around the turn of the millennium.

The opening narration of this episode makes it clear that BDSM is just another aesthetic to be adopted, consumed, and abandoned, befitting the series’ consumerist ethos.

Carrie (vo) “New York City restaurants are always looking for the next new angle to grab that elusive and somewhat jaded Manhattan palate. Last year it was fusion Cajun. Last month it was mussels from Brussels. And tonight, it’s S&M.”

CSI:NY S01E16 “Hush”: The Celluloid Dungeon

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Jul 272020

CSI:NY S01E16 “Hush”, aired February 23, 2005 IMDB

Yet another dead naked woman in bondage. CSIs Aiden and Danny investigate.

It turns out that the deceased was strapped to a device on the front of a speeding pickup truck, House of Gord-style. The truck collided with a tree, killing her.

An abandoned truck found nearby has a strange device mounted on the front, which includes a label saying, “Place Shoulders Here”. This includes a device with a red button. The truck contains a bag with a latex bodysuit, a ball gag with teeth impressions, and straps.

Aiden: “Pulp Fiction. Nice.”

Danny and Aiden find a toybag in the abandoned truck

Law & Order: Special Victims Unit S01E22: The Celluloid Dungeon

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Jun 052020

“Slaves” aired May 19, 2000 IMDB

“Slaves” treads some of the same ground as “Stocks & Bondage”, earlier in the first season, as the primary antagonist is a man who psychologically controls multiple women. In this case, there is no financial element to the crimes.

A street vendor turns in a note asking for help from an unknown woman. The detectives track down the woman named in the note, the aunt of a Romanian immigrant woman, Elena. It would have ended there, but the aunt turns up murdered.

Detectives Munch and Stabler grill Morrow

Tales of Gor RPG

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May 042020

Tales of Gor (Postmortem Studios, 2017) is the licensed tabletop role-playing game adaptation of John Norman’s notorious Gor series of sword-and-sorcery novels, written by James “Grim” Desborough and illustrated by Michael Manning. Gor is notorious for heavy themes of slavery, sadomasochism, male dominance and female submission, and for long philosophical digressions justifying those themes. Since 1966, there have been more than 30 novels published in the series. The series has inspired a strong cult following, including a small branch of BDSM culture devoted to Gorean style slavery, both in real life and online in Second Life.

Law & Order: Criminal Intent S09E11: The Celluloid Dungeon

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Apr 272020

Law & Order: Criminal Intent’s episode “Lost Children of the Blood” aired July 25, 2010

A college student found drained of blood in her dorm room leads Detectives Nichols (Jeff Goldblum) and Stevens (Saffron Burrows) to the underground culture of blood fetishists.

The victim, Sarah Price, has quotes from Carl Jung and Michel Foucault all over her dorm room. Nichols finds a deluxe copy of Jung’s Red Book. “He [Jung] thought everybody should have a red book. All disturbing thoughts written down and filed away.”

Sarah’s boyfriend Kyle admits that they did go to a club together, and did blood play.

Kyle: “It was just exploring boundaries. Sarah and I wanted something real and authentic.”

Romance (1999): The Celluloid Dungeon

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Apr 072020

Romance is a 1999 French drama film, written and directed by Catherine Breillat.

[Unless noted otherwise, all quotations are from the subtitles.]

Breillat is notorious for explicitly showing sexual acts in her films, as well as her unsentimental view of heterosexual relations. Sex between men and women is always a conflict in Breillat’s films, though who is winning isn’t always clear.

The protagonist is Marie (Caroline Ducey), a young woman who lives with her boyfriend Paul (Sagamore Stévenin), a model. In the first scene, Marie watches from a distance as Paul is posed as a matador in a photoshoot with another female model. The photographer instructs Paul and the model in performing proper masculinity and femininity.

Marie (Caroline Ducey) tries to arouse Paul (Sagamore Stévenin)

They return to their apartment, where their clothes and the furnishings are all white and off-white. Instead of innocence, it suggests sterility and emptiness. Paul rejects Marie’s sexual advances again, in a reversal of the usual gender roles.

Paul’s passive-aggressive head game is that if he completely eliminates sexual desire in himself, he gains the upper hand in his relationship with Marie. Having her dance on the end of his string is more interesting to him than actually fucking her.

Love and Human Remains (1993): The Celluloid Dungeon

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Apr 062020

Love & Human Remains is a 1993 drama film. It tells several interwoven stories of people in the big city, while in the background a serial killer murders women. The main character is David (Thomas Gibson), a gay former actor who coasts through life as a waiter and nightclub regular.

Love definitely has some resemblance to Cruising: paranoid people in an urban environment, a serial killer who could be anybody, masculinity in crisis. We get glimpses of the killings on news shows, but the characters, too self-absorbed, skip past them.

Benita (Mia Kirshner) seems to vibe on that urban paranoia. She’s primarily a dominatrix, often telling classic urban legends (e.g. “the guy with the hook” or “the baby sitter and the extension cord”) during her sessions with men in her apartment.

Benita (Mia Kirshner) in full dominatrix gear

Criminal Minds S10E17 “Breath Play”: The Celluloid Dungeon

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Mar 052020

Criminal Minds S10E17 “Breath Play” First aired March 11, 2015 IMDB

The second episode of Criminal Minds to deal with BDSM (that I know of) is “Breath Play”.

“Breath Play” treads much of the same ground as the earlier episode “Limelight”, though at least in this case there are actual victims from the beginning. A serial killer is strangling women to death and leaving them tied to their beds. Somehow, the killer is welcomed into the homes of his victims.

Examining the bodies reveal that the victims were tied to their beds and strangled for hours before their deaths. Dr. Reid speculates, in one of the leaps of logic that seems typical of this series, that this is actually about erotic asphyxiation, or breath play.

Another crime scene leads of the discovery of an extremely popular erotic novel called Bare Reflections, a knock-off of Fifty Shades of Grey. All of the victims had the book, and the “saucy texts” found on the victim’s phone were direct quotes. However, if the book is that popular, it increases the likelihood that it’s just a coincidence and not the key clue.

Bound (2015): The Celluloid Dungeon

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Mar 022020

Bound (2015) (not to be confused with Bound (1996), the lesbian-noir thriller directed by the Wachowskis) has an interesting pedigree. It was made by The Asylum, best known as the producers of numerous “mockbusters”, low budget, direct-to-video knock-offs of popular Hollywood films. Usually, these are science fiction, disaster and horror films (e.g. Transmorphers, based on Transformers), but a few belong to other genres. Bound is The Asylum’s take on Fifty Shades of Grey (which, in turn, is a take on the Twilight series of books and films).

Let’s get one thing clear. Bound is not a great film. The production values are low, the acting isn’t great, entire scenes seem to be missing from the story, and there are more than a few plot holes.

And yet….

It is a better cinematic treatment of a woman’s introduction to BDSM than Fifty Shades of Grey.