Apr 302013
 

Salon.com has an interview with former nun Mary Johnson, who worked under Mother Theresa at her mission in India. Currently being considered for canonization, the late Mother Theresa has come under scrutiny for her beliefs in the nobility in suffering, not only the voluntary kind, which border on religious masochism.

During your time with the sisters, you gave up all possessions—your hair, which had to be shorn every month, an audiotape sent by your parents, even photographs. How does this relate to the fusion of love and pain?

The Missionaries of Charity set out to live like the poor they serve. We each had two sets of clothes, which we’d wash by hand every day in buckets. We ate rotting vegetables and stale bread that we’d begged from wholesale grocers. We slept in common dormitories, without any privacy, on thin mattresses we’d made ourselves. Living poorly day by day convinces you that life is hard. For a Missionary of Charity, ideal love was self-sacrificing, even to the practice of corporal penance.

Your first session of self-flagellation is imprinted in my mind: “My knees shook. I took the bunch of knotted cords into my hands. From Sister Jeanne’s stall, I heard the beating sounds, one, two, three. . . . I swung harder. The skin of my lower thighs turned red, then red with white streaks as I hit harder.”

When I took that rope whip into my hands, I was scared, I was excited, I hoped that I was on my way to conquering my selfishness and becoming a holy person. When you visit the homes and shrines of various saints, you often see hair shirts or whips or spiked chains on display. This is a religion in which nearly every house of worship, classroom, and private home has as its most prominent feature the image of a bloodied, tortured man. We were taught that wearing spiked chains and beating ourselves allowed us to share in his work of redemption. I know it doesn’t make much sense when you say it just like that, but within that entire system it had its own weird logic.

I’m reminded of Hannah Cullwick and her nun-like devotion to her labours, based on her own private value system. Is this masochism? Of a kind.

The problem with this kind of thinking is what happens when you are in a position to impose it upon others, who have no choice in their conditions. Subsequent investigations have shown that her mission provided a standard of care that would be intolerable in any non-religious institution, and she avoided modern medicine. She followed a medieval line of thought that the soul in the afterlife was all that mattered, not the body in the moral world.

Feb 232013
 

Django Unchained 2012, writer/director Quentin Tarantino, IMDB

(Spoilers ahead)

Briefly, Django Unchained is about a slave in the Old West, before the Civil War, who is freed by, then partnered with, a German bounty hunter, Dr. Schulz. They set off on a quest (explicitly compared to the German legend of Siegfried/Sigurd) to recover Django’s wife Broomhilda from a plantation known as “Candie Land”.

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Apr 062012
 

It’s been said that Hallowe’en is Christmas for queer people, but if there’s a holiday for kinksters, it is Good Friday. This is the day when a man was tortured to death for trying to get people to be nice to each other.

While I don’t have this quite figured out yet, I get the impression that the primacy of the Passion, the story of Jesus Christ’s betrayal, murder and resurrection, was a late medieval invention, and earlier depictions of Christ in graphic art and storytelling focused on his life as teacher and miracle-worker. The violence of the Passion came later. One person I know suggested that the cult of the Passion coincided with the Crusades, violent art reflecting a violent society, or even as intentional anti-Semitic propaganda.

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Mar 082012
 

The Au carrefour étrange blog has several scans of vintage bondage and flagellation erotica from France. One of them is Les Confidences de Chérubin by G. Donville, originally published in 1939 and featuring beautiful spanking, lingerie and maid illustrations by Cheri Horouard, aka Herric.

Maid in uniform spanking young woman in bed

This is a great reissue the less fortunate will be able to buy, for lack of the original edition that not only is rare but does not approach within 100 euros you.
In addition to this text very pleasant, originally published by the great Jean Fort (Nettles White etc..), Whose narrator, Peter Thiverny tells, from initiation to sensual pleasure in voyeurism (parents) and the discovery of female buttocks (the young Monique and her swing) to various sexual practices including spanking with many companions of passage, and more so, this beautiful edition reproduces illustrations from the original edition (1939) Cheri Herouard (signed Herric).

[via Google Translate]

Man in turban and chains kissing foot of woman in quasi-Oriental headdress

While most of the illustrations are set in the present day, the one above indulges in Orientalist fantasy with the appropriate props.

Mighty Lewd Books, by Julie Peakman

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Nov 072011
 

Peakman, Julie Mighty lewd books: the development of pornography in eighteenth-century England Palgrave Macmillan, 2003 Gbooks

As in just about any discussion of pornography, this book addresses the problem of definition. Peakman “place[s] pornography as one genre within a superfluity of other types of erotica, erotica being used as an overarching description for all books on sex… either overtly or in a ‘hidden’ form; for example, through metaphor, innuendo or implication.” (pg. 7) She defines pornography based on carrying the intention to sexually stimulate. I don’t consider that an adequate definition, as texts that are not pornographic or even erotic (in Peakman’s usage) can be read pornographically. This is particularly relevant in discussing anti-Catholic propaganda/”Convent Tale” pornography. Peakman introduced me to the useful term of metalepsis, “layer upon layer of figurative terms (particularly metaphors) distancing the real subject (sex) under discussion…. It also reveals the multiplicity of images and understandings of men’s and women’s bodies which were current, many of them conflicting, some of them constant.” (Pg.9)

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Sexual Perversions, 1670-1890. Julie Peakman, ed.

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Nov 052011
 

Peakman, Julie (ed.) Sexual Perversions, 1670-1890 Palgrave Macmillan, 2009 Gbooks

Julie Peakman starts off with an interesting question: whether you accept Foucault’s theory about power and discourse or not, how to we explain one person’s choice of sexual acts and object over all the other possibilities?

It is the question of why a person might decide on any particular act which fascinates the historian. Why did some of these activities diminish over time (bestiality diminished when rural activities shifted to urban living), or expand (auto asphyxiation has become more widespread today as the word passed around of its link to sexual stimulation) – this is what really broadens our understanding about sex.

Pg. 8

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Uncle Tom’s Cabin mantelpiece screen

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Sep 062011
 

Here’s an image cribbed from Reynold’s Mightier than the Sword (previously discussed), which shows a mantelpiece screen depicting a black man, brandishing a whip, standing over a black woman, who is half-naked. Another man observes from the background.

A lot of elements in this issue undercut its value as shock propaganda and add the erotic value. The woman is young and shapely, and positioned and dressed so that her breast just peeps from under her arm, and her upper body and arms are nearly uncovered. Her facial expression is hardly fearful or agonized, and seems to be one of ambivalent anticipation. Her dark skin depicted with subtle shading, giving a sense of the shape and texture of her body.

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