Jade is a 1995 erotic thriller directed by William Friedkin (director of the previously discussed Cruising (1980)), and written by Joe Ezterhaus, who also penned Flashdance (1983) Basic Instinct (1992).
Continue reading »My friend TammyJo and I explore Professor Marston and the Wonder Women (2017), covering how to be bi and kinky in the 1930s, negotiating polyamory in the closet, and the femdom episode of Speed Buggy.
I Love a Man in Uniform (also released as A Man in Uniform) is a 1993 Canadian psychological drama. IMDB
Henry Adler, a bank clerk and would-be actor, witnesses a police officer be shot. He seems excited by this.
Henry auditions for a secondary role, Officer Flanagan, on a TV cop show, Crimewave. He shows an aggressive and domineering side as he pushes around a female production assistant.
Continue reading »Lipstick is a 1976 rape revenge drama.
The first two acts are a straightforward drama. Chris McCormick, a famous model known for sexually provocative pictorials, agrees to meet with the music teacher, Gordon Stuart, of her teen sister, Kathy. Gordon, angered by Chris’ indifference to him and the glamour of her lifestyle, assaults and rapes her in her apartment, including tying her to her bed. Kathy briefly witnesses the end of this.
Continue reading »Walk All Over Me is a 2007 Canadian comedy/crime thriller.
Alberta, a young woman, flees a drug deal gone wrong in her small town. She arrives in Vancouver with only the clothes on her back and seeks out the only person she knows: her old babysitter, Celene.
Celene now works as a pro dominatrix, part of her “life plan” to become an actress. She reluctantly takes Alberta in.
Continue reading »TammyJo and I discuss Punish Me! in-depth.
R100 is a 2013 Japanese absurdist comedy. A depressed man enters a contract to be assaulted by dominatrixes in random places at random times.
It starts off relatively realistically. Katayama is a depressed furniture salesman dealing with raising his young son while his wife has been in a coma for years. He visits a company known only as “Bondage”. The host has him sit on a merry-go-round and view dominatrixes. The offer is a one-year contract during which different dominatrixes will assault him unpredictably. Katayama agrees.
Continue reading »The Counterfeit Traitor is a 1962 spy thriller starring William Holden. I’m covering it solely for a couple of scenes.
Holden plays Eric Erickson, an apolitical American everyman living in neutral Sweden in the early days of WWII. Allied intelligence blackmails him into working as a spy in Nazi Germany. While slowly paced at the beginning, the tension picks up as Erickson sinks deeper into his cover and becomes entangled into the war whether he wants to or not.
Inevitably, Erickson’s cover is blown, and he has to depend on the resistance network to get him back to Sweden with vital intelligence. His backup contact is just a street address in Berlin. This turns out to be in the city’s red light district, with sex workers standing on the street or posing in windows.
Continue reading »Verfolgt, also released as Hounded or Punish Me, is a 2006 German drama directed by Angelina Maccarone. Amazon
As I’ve pointed out before, female dominants who aren’t sex workers are almost invisible in popular culture. Verfolgt is one of the rare examples of a dominant woman who is not in part motivated by money. Elsa, a youth probation officer, has an obsessive, sadomasochistic affair with Jan, a young offender fresh out of juvenile detention.
Elsa Siefert (Maren Kroymann) is in her 50s, and looks like it. You can see her wrinkles and soft belly. She does wear a black leather coat and shoes, which hint at her interests. Early in the film, her daughter moves away, and her relationship with her husband, Raimar, has begun to sour. She resents his past infidelity. The loss of her roles as wife and mother has left her adrift.
Continue reading »L-R: Josef von Sternberg, Marlene Dietrich, on set
Dishonored is a 1931 spy thriller directed by Josef von Sternberg and starring Marlene Dietrich as Marie Kolverer, aka “X-29”.
Set in during the First World War and loosely based on the life of historical spy Mata Hari, this is the third of seven collaborations between director von Sternberg and star Dietrich, following The Blue Angel (1930) and Morocco (1930). Dietrich usually played remote, independent and seductive women in these films.
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