This must have been an awesome thing to discover: a literally and figuratively underground sex club, Latex, found in Whiskey row by workers preparing for demolition.
While trying to learn more about the Orientalist slave paintings I’ve been posting on Tumblr and Pinterest, I found there are a lot of these kinds of paintings. There’s the slave market set on Flickr, the entire Orientalism tag at Onok-Art, and a collection of slave market paintings on Tanos.org.uk.
My interview on People of Kink podcast is now up. Nice to see some Canadian kink podcasts out there. This interview is more about my BDSM career and less about my research.
LN pointed me at this fascinating interview, courtesy of the Leatherati Youtube channel, with slave Alia who is a devout Muslim woman who is also the slave of Master Skip Chasey. She comes from a cultural background quite different from most people in the greater BDSM world, and there are interesting parallels between her life as a devout Mulsim woman and her life as a slave.
I’ll be at the Master-slave Conference 2012 on Labour Day weekend in Maryland, presenting on Sunday afternoon, 2:00pm to 3:30pm.
Origins of consensual Master-slave relationships in the 18th and 19th centuries
Peter Tupper
Maple [room]
This presentation will explore the relationship between Atlantic slavery and erotic writing in the 18th and 19th centuries. The social relationships of slavery were used as “a mine of sentiment” by Romantic writers in both Europe and the Americas, and popular media used slavery as an element in stories of melodrama and Gothic romance, which in turn informed sexual fantasies. These fantasies are most fully realized in the consensual Master-slave relationship (and secret marriage) between gentleman barrister Arthur Munby and maid-of-all-work Hannah Cullwick in the late 19th century.
The rest of the time I’ll be taking meetings and recruiting contributors for a project I can’t discuss in detail yet. Networking, I’ll admit, is not my forte, but I’ll do my best.
It’s supposed to be 30 degrees that weekend, and I’ve heard stories about summer near Washington DC. Not the best climate for leather and latex.
If you see me, say hello.
On the way, I’m passing through Seattle. Depending on how the time and finances work out, I may drop by the Centre for Sex Positive Culture.
From Crushable.com, about a new BDSM/supernatural novel called Devil’s Brand by Casea Major:
At first glance, it seems to merely be inspired by E.L. James‘ bestseller with its questionable BDSM and lip-biting heroine. In fact, this protagonist Marci Lowe sounds like she might have some more agency than Anastasia since she’s a bankrupt heiress, so at one point in her old life she was maybe successful?
[…]Here’s where I might be starting to lose you, where you think, So what if there’s a brooding businessman with a taste for BDSM? That’s not my Christian Grey. Wrong. Devil’s Brand began its life as The Darkest Shade, a Fifty Shades fanfic.
A Fetlife post directed me to an entire page of Victorian paintings about slavery, or rather the Romanticized European view of slavery in “the Orient” or in ancient Rome, which was also a vehicle for female nudity. (Contrary to popular belief, Victorians had no problem with nudity if it was within the proper context.)
The page is in Turkish, but there’s little text anyway.
I didn’t have high expectations of this book when I started. If anything, now that I’ve read it, my low expectations of Fifty Shades of Grey were too high.
Amputee fetish site Overground.be has a collection of amputee fetish and letters published in London Life magazine, running from 1924 to 1941 and most signed “Wallace Stort”. Some of the letters also concerned prosthetic limbs, orthopedic boots, crutches and other devices. These were published alongside other types of fetish letters and stories.
Look at the kink tag on Tenebrous Kate’s blogspot and you’ll find a delightful array of vintage kink, flagellation and bondage material. The only question is where to begin?
Here’s a glimpse into “Le Musee des Supplices” (translation: “The Torture Museum”) by Roland Villeneuve, published 1968.