May 292018
 



Nov 232021
 

“Twenty-Five Acts”, aired October 10, 2012 IMDB

The Law & Order franchise often fictionalizes real-world events. In this case, it alludes to the publication and popularity of the Fifty Shades trilogy, in an episode aired only 6 months after the trilogy was re-released by Vintage. (FSOG was first published May 25, 2011 by Writers Coffee Shop, and the trilogy was re-released by Vintage in April 2012.)

I thought that this episode also referenced the case of Jian Ghomeshi, a Persian-Canadian radio host and interviewer who allegedly strangled his girlfriend and excused it as consensual BDSM. However, in an odd moment of life imitating art, I found that this episode actually aired 2 years before the allegations about Ghomeshi went public in 2014. 

The author of the hot new erotic novel Twenty-Five Acts, Jocelyn Paley, appears on a talk show. The host, Adam Cain, meets her for dinner, and she secretly gives him her panties under the table. They go back to his place. After some sex she initiates, he crosses the line, throws her on the bed and chokes her with a belt.

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Nov 152021
 
Nov 112021
 

Fifty Shades of Black (2016) (IMDB) is a comedy/romance film directed by Michael Tiddes and written by Marlon Wayans and Rick Alvarez. Obviously, it’s a parody of the wildly popular Fifty Shades of Grey franchise. 

Beyond just parodying Fifty Shades, Black derives comedy from juxtaposing sadomasochism, long seen as a “white thing”, with blackness. 

Moon Charania’s essay “The Promise of Whiteness: Fifty Shades of Grey as White Racial Archive” in Intensities: The Journal of Cult Media (Issue 8, January 2016) hypothesizes that the book and film’s story can only work because the two leads are extremely white and heterosexual. It presents a kind of hetero-white utopia in which all the cultural anxieties of the 2000s and 2010s are almost entirely absent. Almost no non-white people means no racial violence and inequality, and almost no queer and no trans people means no challenge to the primacy of heterosexuality. 

The significance of Grey’s emotional torment, Ana’s romantic attachment to Grey, and the familiarity of white heterosexual domestic love render this (attempted) violent domination both palatable and melancholic. [Pg. 84]

To excite and placate the audience, Ana and Christian as lovers and antagonists could only be white. The sudden excitement found in a powerful white man beating an empowered white woman for sexual pleasure establishes an inextricable link between racial formation and sexual subjectification. [Pg. 85]

In Charania’s view, whiteness excuses everything: Christian’s domination and sadism, Ana’s infatuation and naivete. Remove Christian’s whiteness, his wealth and privilege, from the narrative, and he’s just an abuser. Remove Ana’s whiteness, and she’s just a helpless victim. It’s not a love story anymore. 

So what happens if the analogs of Christian Grey and Anastasia Steele, “Christian Black” (Marlon Wayans) and “Hannah Steale” (Kali Hawk), are black?

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Oct 152021
 
  • CBC’s Ideas podcast has a series called Body Language. One episode talks about the “the right to sex“, the thorny issue of sexual ethics and politics. In the BDSM world, we tend to treat consent as the be-all and end-all of sexual ethics, but that leaves issues of sexism, racism, transphobia, classism and so on, unaddressed.
  • The Official Bettie Page Podcast, episode 5, discusses the 2005 biopic, The Notorious Bettie Page, and some other documentary and biopic film projects about the iconic pinup and bondage model.
  • The Rialto Report covers the 1977 launch of the Ultra Room at the Mitchell Brothers’ O’Farrell theatre in San Francisco, a lesbian bondage show surrounded by two-way mirrors. This includes an interview with the room’s first headliner, porn star C.J. Laing, and photos.
  • A Refinery29 post by Gina Tonic asks what it means to be a bottom. “…the labels ‘top’ and ‘bottom’ are often used interchangeably with the labels ‘dom’ and ‘sub’ – but is this always true?”
  • 20 years ago, Fetish Diva Midori published The Seductive Art of Japanese Bondage, probably the first book published in English on Japanese bondage. Since then, kinbaku/shibari has grown immensely in popularity outside Japan, and some kinksters practice it exclusively. Spectrum Boutique interviews Midori about this pioneering project.
Oct 152021
 

The Story of Joanna (IMDB) is a 1975 X-rated drama directed and written by Gerard Damiano and starring Terri Hall in the title role and Jamie Gillis as Jason.

Joanna comes from the “Golden Age of porn” in the 70s and early 80s when some hardcore adult films were made with higher production values for release with X-ratings in mainstream theatres, trying to reach a broader audience. This was also the heyday of mainstream softcore erotica films like Just Jaeckin’s Histoire D’O (1975) and the original Emmanuelle (1974), and edgier material like Nazisploitation classics The Night Porter (1974), Ilsa: She-Wolf of the SS (1975) and Salon Kitty (1976). (I’ve heard that Damiano wanted to film Story of O but couldn’t get the rights, and made his own knock-off.)

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Sep 202021
 
Sep 182021
 
Mimi (Emmanuelle Seigner) meets Nigel (Hugh Grant) in the company of her husband Oscar (Peter Coyote)

Bitter Moon (IMDB) is a 1992 erotic/romance film, directed by the notorious Roman Polanski, based on the novel Lunes de Fiel by Pascal Bruckner

Nigel goes on an ocean cruise with his wife, Fiona, where he becomes fascinated by a beautiful, mysterious woman named Mimi. Her husband, a paraplegic would-be writer named Oscar, demands that Nigel listen to his story of his obsessive love with Mimi before Nigel has an affair with her. Like another tale of twisted love, Nabokov’s Lolita, we shouldn’t take the narrator at face value. Mimi privately tells Nigel: “You musn’t believe all he says. He’s a sick man. He imagines things.”

In Oscar’s story, he is a self-consciously literary archetype, an independently wealthy young American living in Paris to become a writer. On a bus trip, he becomes smitten with Mimi, a young French woman. 

Mimi is a cipher, with almost nothing more to her than being a beautiful French dancer, at least in Oscar’s telling. The early stages of their romance go from sweetly romantic to an adolescent’s idea of eroticism. 

Oscar: (to Nigel) “I’m only going into such detail to show you how completely enslaved I was, body and soul, by this creature whose dangerous charms have made such an impression on you.”

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Aug 152021