The Idiots is a 1998 Danish black comedy/drama written and directed by Lars von Trier, shot under the rules of the Dogme 95 manifesto.

The semi-mockumentary film concerns a small group of people who pretend in public to be mentally disabled, which they call “spazzing”. They do this as an elaborate prank, as a kind of performance art, as a passive-aggressive attack on society (épater les bourgeois), and for other reasons. Rotating members of the group play “the minders”. Karen, a seemingly lost woman, is swept up in the group and stays with them.

George Costanza: [In a depression clinic] I should be in a place like this. I envy this woman. You get to wear slippers all day. Friends visit. They pity you. Pity is very underrated.
Seinfeld, S03E02 “The Truth”
I discuss this film because it brushes up against certain expressions of masochism, particularly those that involve public roleplay and abjection. We know that Hannah Cullwick and Arthur Munby often did public roleplay, as did Leopold von Sacher-Masoch and Aurora Rumelin. This connects with the kink of disability fetishism, such as the creative works of “Paracathy“, as well as certain forms of ageplay.
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