In S01E05, “My Pet”, Molly continues seeing (and dominating) Neighbor Guy, and starts seeing Pet, a man into puppyplay, complete with costume and collar. However, she hasn’t told either of them about her cancer. She orders Neighbor Guy to finish himself off and goes into the bathroom to finish herself off with a vibrator.
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Dying for Sex is a 2025 dramedy series about a woman, Molly, who is diagnosed with terminal cancer, and leaves her husband in search of sexual fulfillment.
In “Topping is a Sacred Skill”, the fourth episode of the first (and apparently only) season, Molly continues her exploration of her sexuality. In between episodes, she attended a BDSM play party and is intrigued by a dominant there known as G.
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Dying for Sex is a 2025 dramedy series about a woman, Molly, who is diagnosed with terminal cancer, and leaves her husband in search of sexual fulfillment.
In S01E03 “Feelings Can Become Amplified”, Molly starts taking a medication that gives her mood swings, while also struggling with vaginal dryness. She has a peculiar relationship with a man in her apartment building (aka “Neighbor Guy”): she’s disgusted by him, but she has a “mistake orgasm” by masturbating while she can hear him masturbating through their shared thin wall.
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Red Shoe Diaries S01E13 “How I Met My Husband”, Aired June 26, 1993 IMDB
“How I Met” starts off like a cross between a music video and a fashion show. Mistress Miranda’s dungeon is having an exhibition, with women and men in fetish gear strutting on a catwalk while a female announcer talks about the outfits and how much they cost. The frame is “dressing for power”. “Remember, leather, rubber and steel equals power and control.” It’s very aspirational and consumerist, locating kink in a fantastic world of wealth and glamour.
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Red Shoe Diaries S01E03 “You Have the Right to Remain Silent”, Aired July 14, 1992 IMDB
Zalman King, a former actor who produced Nine and a Half Weeks and a few other softcore mainstream films, created the anthology series Red Shoe Diaries which became the flagship of 1990s direct-to-cable-TV softcore erotica, free from the constraints of both the MPAA and Broadcast Standards and Practices. The framing device is that Jake (pre-X-Files David Duchovny) is haunted by the suicide of his fiancée. He found her diary and learned she was having an affair with another man. He places ads in newspapers asking women to tell him their stories of desire. The confessional mode, as an inquiry into the “truth” of female sexuality, is built into the series’ premise.
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Sick: The Life and Death of Bob Flanagan, Supermasochist is a 1997 documentary by Kirby Dick about the titular Bob Flanagan, an artist with cystic fibrosis and, unusually, lived into his 40s. Flanagan combined his performance art and artworks with his BDSM practice, including being the slave of his mistress and wife, Sheree Rose.
(Most of the Celluloid Dungeon project is about fiction films, but I will explore a few documentaries along the way.)
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After Fall, Winter is a 2011 drama film, written by, directed by, and starring Eric Schaeffer, along with Lizzie Brocheré.
Michael (Schaeffer) is an American writer who is borderline suicidal because he is $600,000 in debt and struggling to sell his next book. On impulse, he takes a friend’s invitation to travel to Paris for the winter holidays. He also sees a pro-domme for humiliation.
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Sanctuary is a 2022 drama film directed by Zachary Wigon and written by Micah Bloomberg. IMDB Amazon
This essay contains spoilers.
Sanctuary resembles David Ives’ stage play Venus in Fur (film adaptation by Roman Polanski): it focuses on two people in a single location, and deals with the constantly shifting power relations between a man and a woman.
Hal (Christopher Abbot) is the heir of a hotel empire. He’s about to be appointed the CEO after the death of his father. In the luxury suite of one of the hotels, he meets with Rebecca (Margaret Qualley), who at first appears to be a lawyer who will interview him for the position. This escalates into a humiliation scene of Rebecca watching while Hal cleans the toilet in his underwear.
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The Libertine, also know as La Matriarca, is a 1968 film directed by Pasquale Festa Campanile and starring Catherine Spaak. IMDB
A wealthy man, Franco, suddenly dies and leaves everything to his young, beautiful wife, Margherita (aka Mimi). She finds that he had been seeing a string of mistresses, and sets out on a journey of sexual exploration.
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