Walk All Over Me is a 2007 Canadian comedy/crime thriller.
Alberta, a young woman, flees a drug deal gone wrong in her small town. She arrives in Vancouver with only the clothes on her back and seeks out the only person she knows: her old babysitter, Celene.
Celene now works as a pro dominatrix, part of her “life plan” to become an actress. She reluctantly takes Alberta in.
Video tour of the Bishopsgate Institute, home to the UK’s largest queer archive and the UK’s only kink and fetish archive
Does the workplace romance of Secretary (2002) still hold up more than 20 years later, after #MeToo? Lithub
Women In Art explores the place of depictions of female slaves in Western art history.
While choking or other forms of breath play are seen as high-risk activities in the BDSM community, these activities have somehow been mainstreamed in what most people would be “vanilla” sex. Some of this is because of edgy TV shows like The Idol and so on. How has this happened, and what if anything should be done about it?
R100 is a 2013 Japanese absurdist comedy. A depressed man enters a contract to be assaulted by dominatrixes in random places at random times.
It starts off relatively realistically. Katayama is a depressed furniture salesman dealing with raising his young son while his wife has been in a coma for years. He visits a company known only as “Bondage”. The host has him sit on a merry-go-round and view dominatrixes. The offer is a one-year contract during which different dominatrixes will assault him unpredictably. Katayama agrees.
Rolling Stone profiles the latest iteration of the anti-porn movement, linking husbands’ porn consumption to “betrayal trauma” in wives. The illustrative anecdote is a woman who makes her husband promise to keep his eyes closed during the sex scene in Oppenheimer. “For the anti-porn movement, the use of the phrase betrayal trauma takes porn from a personal decision to one of active mistreatment.”
The Ohio Players were a funk/R&B group that originated in the 1970s. At a time, record album covers were becoming more than just a platform to display the artists’ faces. They were a frontier for graphic design, sexual explicitness and the aesthetics of the black body. The Ohio Players were notorious for putting sexy images in their album artwork, including bondage. Photographer Joel Brodsky shot model Pat Evans in a black leather bikini, posing with a bullwhip in a victorious pose, on their 1972 Pain album. The next albums, Pleasure (1972) and Ecstasy (1973), continued the theme, with the edgier stuff hidden below the fold of the album cover.
Notches Blog writes about the peculiarly sexual accounts of alleged demonic possession of women in England in 1645-7. It’s interesting to compare these accounts to the “transverberation” allegedly experienced by St Theresa of Avila about a century earlier; both described sensual, bodily visitations from supernatural beings. However, Theresa was canonized, while the women of the witch hunts were brutalized.
The Counterfeit Traitor is a 1962 spy thriller starring William Holden. I’m covering it solely for a couple of scenes.
Holden plays Eric Erickson, an apolitical American everyman living in neutral Sweden in the early days of WWII. Allied intelligence blackmails him into working as a spy in Nazi Germany. While slowly paced at the beginning, the tension picks up as Erickson sinks deeper into his cover and becomes entangled into the war whether he wants to or not.
Inevitably, Erickson’s cover is blown, and he has to depend on the resistance network to get him back to Sweden with vital intelligence. His backup contact is just a street address in Berlin. This turns out to be in the city’s red light district, with sex workers standing on the street or posing in windows.
Verfolgt, also released as Hounded or Punish Me, is a 2006 German drama directed by Angelina Maccarone. Amazon
As I’ve pointed out before, female dominants who aren’t sex workers are almost invisible in popular culture. Verfolgt is one of the rare examples of a dominant woman who is not in part motivated by money. Elsa, a youth probation officer, has an obsessive, sadomasochistic affair with Jan, a young offender fresh out of juvenile detention.
Elsa Siefert (Maren Kroymann) is in her 50s, and looks like it. You can see her wrinkles and soft belly. She does wear a black leather coat and shoes, which hint at her interests. Early in the film, her daughter moves away, and her relationship with her husband, Raimar, has begun to sour. She resents his past infidelity. The loss of her roles as wife and mother has left her adrift.
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L-R: Josef von Sternberg, Marlene Dietrich, on set
Dishonored is a 1931 spy thriller directed by Josef von Sternberg and starring Marlene Dietrich as Marie Kolverer, aka “X-29”.
Set in during the First World War and loosely based on the life of historical spy Mata Hari, this is the third of seven collaborations between director von Sternberg and star Dietrich, following The Blue Angel (1930) and Morocco (1930). Dietrich usually played remote, independent and seductive women in these films.