Sep 092012
 

The word “slave” is an emotionally charged one.

I began my BDSM career in the early ’90s with an email slave relationship with a woman on the other side of the continent. It lasted over a year, with a contract, daily reports, exchanged gifts by mail, and so on. I had the notion that this is just what you did. (I eventually met her in person, and we still stay in touch. She currently lives with two men, her husband and her slave.)

When I signed on to Fetlife for the first time, I chose “bottom” as my role,  not “submissive” or “slave”. I carefully chose a name, “Liegeman”, that connoted the feudal relationship of mutual obligation (or at least the idealized version of that), rather than the kind of terminology associated with the institution of slavery. I’m just not comfortable with that language, especially after I started researching American slavery.

For me, and I imagine a lot of people, the word “slave” denotes American antebellum slavery: an unskilled labourer in a hereditary state of chattel bondage, justified by the worst combination of Calvinism and Darwinism.

Obviously, lots of people in the greater BDSM scene use the terminology of master-slave, but the meaning they apply to it is quite different. The relationship is paramount, with aspects of marriage, apprenticeship, and military discipline. While Masters talk about “owning” slaves, it isn’t ownership in the sense of property, but more like noblesse oblige or feudal obligation.

As I asked in my presentation, how did we get from one definition to the other?

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Sep 052012
 

Education is vitally important in kink, and with the expected influx of newbies to the Scene, we need all the responsible, intelligent guides we can get out there.

Sep 022012
 

Day 3 of the Master-Slave Conference, 2012, was been great. I’ve had the chance to meet so many people I’ve only read or heard about: Guy Baldwin, Laura Antoniou, Vi Johnson, Raven Kaldera, Master Skip Chasey, the list goes on.

I’m in the land of the black t-shirts again. The fashion mavericks wear navy blue or charcoal grey t-shirts. This isn’t a cruisy kind of event. Everybody seems to be in relationships already or just too busy to flirt. Another thing I didn’t expect is that there is almost no panel events for how-to instruction. It’s all discussion groups about M/s. I’m also surprised at just how friendly people are, mostly Americans.

Definitely the high point has been seeing the Carter/Johnson Leather Library (or at least 70 per cent of it) on exhibit. “Mama” Vi Johnson took me by the hand and showed me around. I’ve seen and touched (through white gloves) copies of London Life, John Willie’s Bizarre, and Englishwoman’s Domestic Magazine. Then there are German collections of erotic art (which I can’t read), and a century worth of books, magazines, newspapers, posters, movies and videos. Pics to come. Ms. Johnson was most inspirational in talking about the importance of saving our leather/kink/altsex/whatever from landfills and incinerators.

My presentation on Sunday afternoon went quite well. I was revising up to the last minute, and developed my initiation-ritual theory a bit more. One thing I’ve come to realize about the Master-slave subset of BDSM, is that they put a lot of emphasis on the relational and service aspects, and the sadism and masochism is secondary, and sometimes entirely absent. Fortunately, the Munby-Cullwick relationship is strongly service-oriented, with no overt sadomasochism (whether Cullwick was masochistic is a topic for another post). I managed to make the transition between the suffering-sensibility theme of abolitionist media and the service theme of the Munby-Cullwick relationship. The only real flaw was that I ended the presentation before even an hour, and the presentation was for 90 minutes. I filled in the time with Q&A and a guided tour of some of the images I collected.

No recording of the presentation. The event organizers made the privacy policy pretty clear, and while I could have asked for an exception, and possibly put up a sign warning people, I decided it wasn’t worth the effort.

I’ve also had some productive meetings towards a project I will reveal at a later date, once everything is locked in.

I should also put out thanks to the people who’ve helped me along the way, including the board at Master Taino’s Training Academy, and David Stein.

More pics and event notes to follow.

Aug 282012
 

iHarem is a blog with a vast collection of images and especially video clips of harem/slave girl/odalisque Orientalist fantasies, some going back to the early Silent Film era. Apparently, as long as there has been moving images, they have been used to deliver Orientalist fantasies of beautiful, available women, often in quantity.

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Aug 272012
 

While trying to learn more about the Orientalist slave paintings I’ve been posting on Tumblr and Pinterest, I found there are a lot of these kinds of paintings. There’s the slave market set on Flickr, the entire Orientalism tag at Onok-Art, and a collection of slave market paintings on Tanos.org.uk.

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Aug 242012
 

LN pointed me at this fascinating interview, courtesy of the Leatherati Youtube channel, with slave Alia who is a devout Muslim woman who is also the slave of Master Skip Chasey. She comes from a cultural background quite different from most people in the greater BDSM world, and there are interesting parallels between her life as a devout Mulsim woman and her life as a slave.

 

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Aug 242012
 

I’ll be at the Master-slave Conference 2012 on Labour Day weekend in Maryland, presenting on Sunday afternoon, 2:00pm to 3:30pm.

Origins of consensual Master-slave relationships in the 18th and 19th centuries
Peter Tupper
Maple [room]

This presentation will explore the relationship between Atlantic slavery and erotic writing in the 18th and 19th centuries. The social relationships of slavery were used as “a mine of sentiment” by Romantic writers in both Europe and the Americas, and popular media used slavery as an element in stories of melodrama and Gothic romance, which in turn informed sexual fantasies. These fantasies are most fully realized in the consensual Master-slave relationship (and secret marriage) between gentleman barrister Arthur Munby and maid-of-all-work Hannah Cullwick in the late 19th century.

The rest of the time I’ll be taking meetings and recruiting contributors for a project I can’t discuss in detail yet. Networking, I’ll admit, is not my forte, but I’ll do my best.

It’s supposed to be 30 degrees that weekend, and I’ve heard stories about summer near Washington DC. Not the best climate for leather and latex.

If you see me, say hello.

On the way, I’m passing through Seattle. Depending on how the time and finances work out, I may drop by the Centre for Sex Positive Culture.

Aug 232012
 

From Crushable.com, about a new BDSM/supernatural novel called Devil’s Brand by Casea Major:

At first glance, it seems to merely be inspired by E.L. James‘ bestseller with its questionable BDSM and lip-biting heroine. In fact, this protagonist Marci Lowe sounds like she might have some more agency than Anastasia since she’s a bankrupt heiress, so at one point in her old life she was maybe successful?

[…]

Here’s where I might be starting to lose you, where you think, So what if there’s a brooding businessman with a taste for BDSM? That’s not my Christian Grey. Wrong. Devil’s Brand began its life as The Darkest Shade, a Fifty Shades fanfic.

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