Oct 162012
 

Brian: What are you playing?
Tim: Tomb Raider 3.
Brian: She’s drowning.
Tim: Yeah.
Brian: Is that the point of the game?
Tim: Depends what mood you’re in really.
Brian: What sort of mood are you in then?
Tim: Well, I got a letter from my ex-girlfriend this morning, 3 months too late, explaining why she dumped me. It was full of ‘you’ll always be special’ and ‘I’ll always love you’ platitudes designed to make me feel better whilst simultaneously appeasing her deep seated sense of guilt for dumping me, running off with a slimy little city boy called Duane and destroying my faith in everything which is good and pure.
Brian: So it didn’t really work then.
Tim: No, it made me wanna drown things!
Spaced, episode “Battles”, series 1, episode 4

Videogames are a relatively new art form, but they are as deserving of discussion as any other. Likewise, videogames do say things about sexuality and gender, and in extreme cases this revolves around rape. Recently, the owners of the Tomb Raider franchise set off controversy when they said they would include a sexual assault in heroine Lara Croft’s background.Things get even dicier when you factor in the interactive nature of videogames, and giving players the opportunity to put their characters in sexual relationships, sometimes non-consensual ones.

Clarisse Thorn and Julian Dibbell have edited and published an  anthology (ebook and print) about this thorny area, titled Violation: Rape in Gaming.

Oct 162012
 

Fitzgerald, William. Slavery and the Roman Literary Imagination. Cambridge University Press, 2000.

Initially I assumed that classical slavery had very little to do with Atlantic slavery, but subsequent research has suggested that the legacy of Roman and Greek ideas about slavery did inform both period thinking about Atlantic slavery and our modern fantasies about it.

Roman slavery was a very different institution than American slavery. Slaves were ethnically and culturally diverse, and did everything from the most skilled to the least skilled jobs. Slaves could be manumitted, becoming freedmen, and their children were born as citizens. Everybody regarded slavery as a fact of life, and there was no abolitionist movement.

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Oct 112012
 

This chapter introduces two nemeses to the story: Leila, Christian’s deranged former submissive, and Jack Hyde, Ana’s new creepy boss. Instead of resolving the problems of the Ana-Christian relationship, the narrative shifts to dealing with external threats. It’s probably not coincidence that Jack and Leila function as dark doubles of Christian and Ana: there’s a kind of dream-splitting at work in this story, with the bad elements of  a figure separated and projected onto another figure by the dreamer or fantasizer.

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Oct 072012
 

Christian does call Ana on her childish attempt to make him jealous, all the while dragging her into a restaurant and ordering a full meal for her, plus haranguing the server. (This guy deserves the Tyler Durden special sauce on his order.)

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Oct 032012
 

In the first book of the Fifty Shades trilogy, an emotionally damaged one-percenter attempted to coerce a college graduate into an abusive relationship (which she had no understanding of or desire for) through a combination of seduction, bribes, deception, stalking and emotional blackmail. She finally realized that she was neither submissive nor masochistic, returned his gifts, and left him. The end.

Hopefully Anatasia Steele would have realized there are other men in the world, that there are other options than a false choice between slut and old maid, and perhaps she might even experimented with BDSM with some other person who is not so deranged and compulsive.

Except it wasn’t the end.

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Oct 022012
 

Brooten, Bernadette J., ed. Beyond Slavery: Overcoming Its Religious and Sexual Legacies. Palgrave MacMillan, 2010.

Although Jewish, Christian, and Muslim religious leaders have always recognized the difference between slavery and marriage between men and women, they have sometimes applied concepts from slavery to marriage.

Pg. 8, “Introduction” by Bernadette J. Brooten

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Sep 262012
 

As previously discussed, tickling is a strange phenomenon that I believe may have something to do with BDSM. Another Slate article:

Its importance begins in infancy. “When people say they hate being tickled and there’s no reason for it, they forget that it’s one of the first avenues of communication between mothers and babies,” he says. “You have the mother and baby engaged in this kind of primal, neurologically programmed interaction.” Or the father: I tickle my son; he shrieks; I tickle him more; he shrieks more; I tickle him yet more; he starts wailing. I apologize.

In a sense, this is our first conversation—how we manage to talk with someone despite being preverbal. The content here is socioemotional, and as a form of social binding, it preceded the development of language, Provine says.

New research suggests that many mammal species tickle (or can be tickled), including humans, chimpanzees,  squirrels, elephants and even rats. There’s a back and forth to tickling play that suggests the back and forth of BDSM: figuring out the boundaries between pleasure and pain, between intimacy and invasion, between the self and the other. It’s a symbolic attack.

Sep 242012
 


Roman Scandals is a 1933, pre-Hays code musical starring Eddie Cantor and featuring elaborate set piece dance number choreographed by Busby Berkeley. Presumably a parody of Biblical and/or classical Hollywood pictures like The Sign of the Cross (1932), Scandals gives up any pretense of drama and goes straight to the sexual decadence. The means dance numbers on elaborate sets performed by dozens or even scores of women dressed identically (the “Goldwyn Girls”, including a young Lucille Ball). If you want to have large numbers of scantily clad women moving around in a situation of high drama, you can’t go wrong with a slave market or auction scene.

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