Femina Ridens (aka The Laughing Woman, The Frightened Woman) is a 1969 Italian psychological drama, starring Philippe Leroy and Dagmar Lassander, and directed by Piero Schivazappa. IMDB
Dr. Sayer kidnaps Maria, a young woman, and locks her in his prison-like apartment, saying he will psychologically torture her into loving him, then kill her. Maria, however, is much more than she appears.
The Feeling That the Time for Doing Something Has Passed is a 2023 comedy-drama, directed and written by Joanna Arnow and starring Arnow, Scott Cohen and Babak Tafti. IMDB
Ann, a thirty-something woman in New York City, seeks relief from the difficulties with her job and family through submission to various men.
The Chicago Reader profiles the House of Milan, one of the oldest and best known purveyors of fetish clothing and other products. It tells of how it began as a boutique clothing store called Futura Fashions in 1964.
On Archive.org, I found what appears to be an English translation of Die Damen im Pelz (Those Ladies in Pelts), said to be a collection of German short stories published in 1920 by “Wanda von Sacher-Masoch”, aka Aurora von Rumelin, ex-wife of Leopold von Sacher-Masoch. I can’t vouch for the authenticity of this text or the translation.
Mary Harrington is a self-described “reactionary feminist” who has some maverick ideas that critique the idea of modernity being a positive for women, along with anti-trans, gender essentialist arguments. She has some odd takes on the relationship between politics and BDSM, arguing that the popularity of BDSM in our supposedly egalitarian society suggests we really want hierarchical relationships, or even suggesting that because hormonal contraception and abortion on demand has made sex inconsequential, we want sex with a degree of risk. E.g. “like contraceptive sex is like vegan bacon and bdsm is just like the hot sauce that you add to make it taste more like the real thing” (transcript) She’s part of a liberal-apostate wing of the neo-Puritan movement in the USA and UK.
Archive.org has a scan of an article from Bond magazine #3, published 1984, describing The Best S&M Show Ever at the Belle de Jour Theater in NYC.
Remedy is a 2013 drama directed by Cheyenne Picardo and written by Picardo et al.
A young woman known only by her nomme de domme, Remedy (Kira Davies), explores the world of professional domination and submission. She has some experience with BDSM at a night club, where she met a woman named Astrid, who hooked her up with a dungeon in NYC. Her motivation isn’t clear, whether it’s money or something else. (She has an unseen boyfriend and works as a children’s tutor.)
My Normal is a 2009 comedy-drama about a professional dominatrix living in NYC, directed by Irving Schwartz, written by Abdul Malik Abbott, Renee Garzon, Keith Planit, and Adam Sales, and starring Nicole LaLiberte. Amazon
Natalie (aka “Ashley”) juggles her work as a pro domme with pressures from her family to get married and have kids, and looking for love as a lesbian. She gets her break to work in the film industry but encounters a new set of problems.
The Bureau of Lost Culture podcast explores the history of Soho bibles, mimeographed and hand-stapled adult booklets made and sold in London’s Soho district up to the ’60s. They included fetishes like “fladge”, i.e. flagellation, and rubber clothing.
Gaitskill herself has described the film as “the Pretty Woman version of my story.” (Gaitskill, Mary. “Victims and Losers: A Love Story; Thoughts on the Movie Secretary” Somebody With a Little Hammer: Essays, Pantheon Books: New York, 2017) Last year, the New Yorker magazine published (March 27, 2023) Gaitskill’s follow-up story “Minority Report”. It tells the story of Debby and her life after her encounter with “the lawyer,” now given the name of Ned Johnson.
“Minority Report” is less a sequel than a retelling of the same event from Debby’s changed perspective as a woman in her 50s, and her difficulty in understanding and expressing her experience. The title explicitly comes from the Steven Spielberg film of the same name, in which precognitive people experience flashes of future events while kept in a sedated state, and a team of detectives have to interpret these scattered, impressionistic glimpses of possible crimes and decide what to do.
Secretary (2002) has taken up a disproportionate amount of time in researching and writing The Celluloid Dungeon. I already knew there were a lot of differences between Mary Gaitskill’s original short story and the finished film directed by Steven Shainberg, but I’ve since learned there were significant differences between Erin Cressida Wilson’s script and the finished product. (See Ariel Schudson’s “Secretary and Adaptation: the Telephone theory”) Thanks to inter-library loan, I’ve borrowed a copy of the script book, which also includes essays by Wilson and others.