Season 3 opens with Bobby free on bail, his assets frozen, his trading license revoked, and Axe Capital on hold. Chuck has lost most of his money and alienated his father and his best friend in his scheme to get Bobby arrested, and is in the delicate position of having to ensure that the scheme doesn’t link back to him. Wendy is even more involved in Axe Capital in Bobby’s absence. Chuck and Wendy have reunited, while Bobby and his wife Lara are de facto separated.
Continue reading »Chuck and Wendy are separated at the beginning of season 2 of Billions. Until episode ten, there are not even mentions of Chuck and Wendy’s BDSM practice season 2. Chuck gets into judo, which seems to be a partial substitute. They both have flings, by mutual consent, but only Wendy actually consummates it, with another billionaire like Bobby.
Continue reading »Billions is a 2016 drama about the conflict between US Attorney Chuck Rhoades Jr. and hedge fund billionaire Bobby “Axe” Axelrod.
The very first thing we see in the pilot episode is Chuck stripped and bound at the mercy of a woman in lingerie. This is his wife Wendy, who is also the in-house therapist of Bobby’s investment firm, setting up the triangle at the heart of the series.
BDSM is not a big enough theme in Billions to do an episode-by-episode review. Thus I will focus on certain episodes in which Chuck and Wendy’s BDSM relationship is a major element.
Continue reading »- San Francisco’s Folsom Street Fair might go ahead in September 2021, in a “modified” form, says the Bay Area Reporter.
- The American Sex Podcast covers the new sexual censorship, caused by the confluence of sex worker exclusionary feminism, moral panic over human trafficking, economic and technological centralization, and the economic impact of COVID-19.
- Atlas Obscura explores the National Library of Israel’s closed collection of notorious “stalag novels” published in the 1960s in Israel, featuring cover art pirated from American men’s adventure pulp magazines.
- A brief bio of Cheri Herouard, a French illustrator of erotic/BDSM art in the 1920s and 1930s.
The season 2 finale wraps up various plotlines.
Portia has departed, but she left a note for Frank instead of ghosting him.
Rolph still hangs out with Pete, apparently as his “friend who knows your whole schedule” rather than his submissive. Pete has put Josh behind him, but is still uncertain about Tiff, and his career in comedy.
Tiff and Doug have reconciled. She says she loves him, and knew it was because she was vulnerable to him. She even offers to show him around the dungeon sometime.
Josh’s coming-out to his father goes disastrously wrong, as his father, MJP, thinks this is actually about him being kinky, because that’s how he knows Pete.
MJP takes off his tie, undoes his shirt and reveals his padlocked collar.
Continue reading »MJP: “I’m kinky, Josh.[…] Kinky sub masochist, owned by my mistress, blissfully so. I’ve wanted to tell you for so long.”
Penguin Guy returns. Pete, in his own penguin suit, puts his heart into his performance, waddling around the dungeon looking for his egg. There’s an improvisational give-and-take, as Penguin Guy finds Pete’s reference to global warming to be a “boner killer”, but Pete adjusts and carries on.
Tiff comes in (in regular clothes) and says using Mistress Mira’s dungeon isn’t allowed. Pete is being kind of a dick. Not only is he poaching clients from Tiff, he’s jeopardizing her future career as a domme by goofing off in class and using the dungeon to see clients without permission.
Pete is late to a training session at the dungeon, and is told that May said to start without him. He later takes out his frustrations in his stand-up, using kink as a gimmick. The club’s manager tells Pete about how she never mentions her wife in her stage performance; the importance of boundaries.
Inside, Mira and Tiff are having a scene with a man in a full-body bondage bag and a gas mask for breath control. In between letting him breathe, they talk about Tiff’s past and future in the pro-domme business.
Frank is a success at a gay bar, and Pete and Tiff are there as support.
Continue reading »Tiff: “It is so crazy to me how gay people just have bars where they go and they do whatever the fuck they want and nobody judges them.”
Pete: “Oh, it’s the most judgmental place in the world, but that’s the way we like it.”
As Mistress Mira’s class proceeds, through ball gags, corsets, strapons, floggers, and straight jackets, the rift between Tiff the teacher’s pet and Pete the class clown grows.
Mira decides Tiff/May has come far enough to handle a scene with her personal submissive, a wealthy man known as MJP who is a masochist and finsub. Tiff explains financial submission to Pete and says “we” will take it.