The curious kinky person’s guide to Fifty Shades of Grey, Chapter 16, part 1

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Jun 212012
 

Before we go any further, I want to go on record about a few things.

First, I don’t like the term “mommyporn” that is being applied to the Fifty Shades trilogy. Mommies have as much right to sexual pleasure as anybody else, and they don’t need snobs looking down at them for their interests.

Second, I don’t like the judgment that, because this series was originally Twilight fanfiction, it is automatically and obviously subliterate trash. I’ve enjoyed reading fanfiction, and written and posted it too. Lots of fanfiction writers have graduated to writing professional fiction.

The relationship between original fiction and derivative fiction is a complex one, and worthy of at least a few posts, but isn’t really in the purview of this blog. Suffice to say, if a writer alters his or her fan work enough to not be blatant plagiarism, I say go ahead and publish  it (or at least try). If by some fluke the work becomes a bestseller, well, ride that train.

If I could say anything to the millions of people who have bought millions of copies of these books, it is that there are BDSM erotica/romance books out there that are so much better in every way than this, and please give the authors and publishers of those books some of the financial support you’ve given to EL James.

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PETA, the politics of virtue in distress, and cannibalism porn

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Jun 182012
 

A post on Vegan Times got me thinking about the use of the naked human body. “An Open Letter to PeTA” makes a feminist critique PETA’s use of sexualized imagery in its ads against animal cruelty:

Like animal exploitation, which turns non-human individuals into objects of consumption for humans, patriarchy as a cross-cultural and trans-historical phenomenon has always involved the ‘thingification’ of women’s bodies, manifested either through outright ownership (by husbands and fathers), or through widespread sexual objectification. Both non-human slavery and patriarchy are heavily steeped in the fetishization of violence. It would seem, then, that an organization ostensibly committed to the eradication of animal exploitation would also support the eradication of gender hierarchy. Yet judging from your track record, this has not been the case.

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More on Penthouse’s first BDSM pictorial

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Apr 112012
 

Two women in fetish clothing, one bound

The Seduction of Venus blog has a more detailed discussion of Penthouse magazine’s first BDSM pictorial in the February 1976 issue. It includes some unpublished photos from the same shoot.

Taking a very different approach to the likes of Jeff Dunas’ and Earl Miller’s location-based, soft-focus romanticism he [photographer Stan Malinowski] posed his unnamed models in a studio with just a standard studio backdrop and bright, even harsh, lighting.

[…]

The text, as it is, consists of a number of four line verses of poetry (you can see some examples further down) which are very much themed on the idea of one woman inflicting pain on the other. No lovey-dovey “friends who became lovers mush” or, indeed, any suggestion that really the ladies, of course, prefer men, as most of the other girl/girl sets suggested. So the text is as radical for Penthouse, as the pictures.

While it may be a bit of a stretch to associate Penthouse with progressive views of female sexuality, this pictorial and its accompanying text at least breaks with the idea of female-female sex as an adjunct to heterosexuality or associated with pastoralism and coy “friends become lovers” narratives. Despite apparent reader approval, Penthouse did not take a turn to the hardcore after this.

This is obviously a much more professional piece of work than was probably common in BDSM porn of the time, and also in a publication that had a much wider distribution and larger readership than your typical under-the-counter bondage magazine. It may have been the first-encounter for a lot of people.

Penthouse’s first fetish pictorial: vintage BDSM

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Mar 312012
 

The Venus Observations blog focuses on the history of American newstand porn magazines, particularly the competition between Playboy, Penthouse and Hustler and their various spin-offs and competitors. In the mid 1970s, the major magazines were in a one-step-forward, one-step-back dance between the softcore, soft-focus, lots of pubic hair, arty aesthetic and the harder, sharp-focus, exposed labia aesthetic of later decades. Fear of alienating advertisers and censors kept editors nervous, but fear of losing market share made them experiment. E.g. a nude pictorial with a 22-year-old, very young looking model wearing a tank top with “12” on it.

Two women in fetish gear, one sitting astride the other on all fours

In February 1976, Penthouse ran its first fetish-themed pictorial.

The real barrier breaking pictorial for February, however, was one called My Funny Valentine. Penthouse had had a (comparatively) few girl/girl pictorials before but this month they published their first fetish photographs. Dressed up in leather and vinyl the girls were depicted by photographer Stan Malinowski indulging in light bondage and whipping each other.

[…]

This pictorial, in the days when this sort of fetish was very underground and not displayed as a matter of course by female pop stars, caused some controversy in the press. Letters to the magazine, however, were universally appreciative (and Penthouse did, as we have seen, publish critical letters at this point) and asked for more.

At the time, mainstream magazines were nervous about showing a woman’s anus or labia in interior pictorials or their nipples on the cover, so this must have been a bold experiment for the publishers to show this kind of underground sexuality. Perhaps they discovered, as Irving Klaw and others had discovered in earlier decades, that fetish pictorials could tap a niche market without being sexually explicit.

What doesn’t make you obsolete, makes you a fetish

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Mar 062012
 

As I’ve mentioned before, I’m interested in exploring the world of fetishes, even if they don’t have any personal appeal to me. I recently came across OPandER.com, which has a Clips4Sale store.

OP and ER clips are little dramas of jeopardy and salvation. Women get in situations in which they need medical treatment, and there’s a strong emphasis on the medical technologies and on the physical signs of the female’s experience. “Excellent acting with a dramatic breathless scene and seizure, very deep and strong chest compressions, realistic defibrillations, intubation, 12 lead ECG.” “A Nice Surgery Feature film with detailed surgery scene, black rubber mask, CPR, defib, many closeups.” Some of the scenes are apparently shot in a real hospital.

On the most superficial level, this is a way of seeing women naked. Slightly deeper, this is a way of putting women in positions of intense vulnerability and dependence. Digging in even deeper, what’s unique about this fetish scenario is that the “violence” done to the woman (defibbing, intubation, CPR, etc.) is not to hurt or punish her, but to save her. There’s a built-in excuse for getting the fantasizer off the hook for sexual guilt and anxiety.

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Don’t confuse your Sams or your Gargoyles

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Mar 022012
 

Betty Page holding whip in magazine advertisment

Vintage Sleaze has a fun tidbit of kink history. Sam Menning, an actor who also worked as a photographer, took fetish pics, including the great Betty Page.

Menning eventually became the “house” photographer of sorts for Gargoyle, a distributor of 4 x 5 nude photos with a fetish bent. Mind you, they were 1950’s photos of a fetish bent…which meant play-acting with rather dim and confused models being asked to look tough…dramatic to this day, but little more than lingerie ads with the models in black. Not MY cup of tea, but someone’s.

Meanwhile, Senator Estes Kefauver was gunning for porn publisher Samuel Roth, particularly for the fetish/kink pictures Kefauver thought were published by Roth.

It turns out that Kefauver and his puritan goons had confused Sam Menning, photographer for Gargoyle Sales Corp, with Samuel Roth, publisher of Gargoyle Books. This mistake wasn’t revealed until Kefauver had Roth on the stand testifying.

The new wave of censorship

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Mar 022012
 

The history of obscenity and censorship is the history of drawing and redrawing very fine lines in the ever-shifting sand, if you’ll pardon the mixed metaphors.

Consider the recent case of Michael Peacock in the UK, charged under the Obscene Publications Act of 1959 for distributing allegedly obscene DVDs. (Peacock sold DVDS via Craig’s List and his own website and magazine ads, which seems like an oddly old-school way to do a porn business these days.) The Crown Prosecutor presented two lists, one of things that would probably be prosecuted (“sadomasochistic material which goes beyond trifling and transient infliction of injury”, “fisting”, “torture with instruments”) and those that usually would not (“mild bondage”, “fetishes which do not encourage physical abuse”)

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Roman sex tokens

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Jan 082012
 

UK newspaper the Guardian has a piece on the recent discovery of a bronze token specifically made for spending in Roman brothels in Britain.

While the Putney token has been hailed as a rare discovery from Roman Britain, such artefacts showing similar scenes were actually well known in Renaissance Italy. Scholars in the 16th century didn’t know what they were – maybe something to do with the reputed excesses of the emperor Tiberius? – but they did leap on evidence of ancient Roman erotic art. Anything from antiquity was considered noble in the Renaissance, so these “coins” (as they were misnamed) licensed saucy 16th-century art, including Giulio Romano’s famous series of pornographic illustrations I Modi.

Again, this ties into Howard Bloom’s “strong misreading” idea I talked about earlier, that this misunderstanding of a given text (the token) fertilizes more creativity.

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