Jul 082012
 

Over the course of this research, I’ve looked at BDSM in prose, poetry, painting, dance, illustration, music, fashion, sculpture, film, comics, television, live drama and video games. Is there an art form I have overlooked? Yes, the most ephemeral of arts, that of scent.

The Perfume Shrine talks about the frequent references to scent in the proto-fetishists, like Emile Zola and JK Huysmans, and the first synthesis of the leather scent chemicals.

The leather note, of course, is one such artificial scent, a hybrid of “flower and flesh” created by industry. It is strangely redolent of the human skin which leather approaches, both by its texture and by its proximity to the body of the wearer whose shape it retains…
Can it possibly be a coincidence, then, that leather scents and leather fetishism are strictly contemporary, born in the same decade of the late 19th century?
Check the dates: quinolines, which lend their characteristic smoky-tarry notes to most leather perfumes, were synthesized around 1880. The first recorded Cuir de Russie was composed by Aimé Guerlain in 1875; Eugène Rimmel launched his the following year.

Now, it was precisely in 1876 that French psychiatrist Alfred Binet coined the term “fetishism”; the leather fetish itself is studied in Austrian sexologist Richard von Krafft-Ebing’s Psychopathia Sexualis (1886).

While the fetish is often considered primarily a visual phenomenon, we may be neglecting one of the most powerful and evocative senses, smell.

…Messieurs Guerlain and Rimmel sold their Cuir de Russie. The name may have referred to the Cossacks who rubbed their boots with birch, and certainly bore a virile, military or equestrian connation. But the scents themselves alluded to more private passions.

So we have an engineered scent with associations of virility, the military or the equestrian, which aligns with fetish fashion’s visual gestures towards the soldier and the equestrian.

The blog has more information on the use of leather in scent products, including Orientalized leathers, quirky leathers, butch leather, and more. Just like the material of leather, the scent of leather has changing meaning many times, sometimes worn by men, sometimes by women, and sometimes both. Just like visual fashion, scent fashion is part of the process of how we present ourselves.

Jul 042012
 

Christian pays an OB/GYN to make a house call to examine and counsel Ana on contraception. This fits the Pygmalion subtext of this story, that Christian is giving her everything that an adult woman should have: computer, car, email, contraception, job, wardrobe, awakened sexuality. It’s a materialist form of initiation: I’m a “sex-having person” because I have the consumer goods a sex-having person has.  Of course, this also means Christian is increasingly in control of every aspect of Ana’s life. It’s Christian Grey’s world; Ana Steele just lives in it.

It’s tempting to attribute Fifty Shades‘ phenomenal commercial success to the recession, as a version of “shopping and fucking” novels: the emphasis on brand names, the incredible disparity in wealth and status between the two leads. Ana doesn’t even have to shop for herself, much less develop her own taste and preferences; Christian’s minions do it for her. Apart from smouldering grey eyes and huge schlong, Christian’s main appeal may be old fashioned financial security. Of course, Ana would be a lousy gold-digger; she’d sign his pre-nup without reading it.

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Jun 262012
 

Being Canadian, I’m always interested in Canada’s contributions to the sexual edge of culture. I was delighted to stumble across the story of Justice Weekly, a true crime tabloid newspaper published in Canada that frequently included fetish letters. “…popular topics were discipline, punishment and humiliation of males (especially ‘errant husbands’ and spoiled post-adolescent children) by authoritarian/domineering females, transvestites and authority figures such as school principals, judges and law-enforcement officials.”

 

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Jun 252012
 

Jay A. Gertzman’s article “1950s Sleaze and the Larger Literary Scene: The Case of Times Square Porn King Eddie Mishkin”, in eI15 fanzine, provides an intriguing glimpse into the proto-BDSM scene of 1950s America, particularly the previously mentioned publishing empire of Eddie Mishkin.

Mishkin employed fetish artists like Eric Stanton and Gene Bilbrew, as well as writers, some of whom wrote pornography under pseudonyms or house names to pay the bills while working on above-ground books or television.

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Jun 212012
 

According to a post on Vintage Sleaze, “Justin Kent” is a name that appeared on many American digests published in the 1950s, short novels with racy covers that promised more than they could deliver in terms of sex, bondage and sadomasochism. It was actually a pen name for an unsuccessful writer living in Harlem named Kenneth Johnson (possibly African American, but the record isn’t clear.) Johnson wrote at least ten digest novels, many with illustrations by Gene Bilbrew.

1950s pulp cover, shirtless man begging woman in dominatrix outfit

The Strange Empress by Justin Kent Collection Jim Linderman

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Jun 212012
 

The parts of Ana and Christian’s relationship that aren’t abusive are tedious. They have a post-coital cuddle and then Christian runs off to a meeting. He does mention that he’s running late for it, a rarity for him, like sleeping with a woman. Ana interprets this as success, that she is making him change for her.

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Jun 212012
 

Christian scoots off almost immediately, leaving Ana high and dry in one of the most emotional moments in her life. Ana’s mother calls, and tells that Ana is obviously upset about a man.

“What’s he done to you?” Her alarm is palpable.
“It’s not like that.” Although it is… Oh crap. I don’t want to worry her. I just want someone else to be strong for me at the moment.

Ana, of course, doesn’t tell her mother what’s really going on, or take her up on her offer to come home and take a break. When Kate comes in, Ana doesn’t tell her either. Ana even makes up a story when Kate wonders why Ana’s butt is tender.

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