May 292012
 

I got the “thin envelope” from the Leather Archives & Museum, after I applied for their Visiting Scholar program a while back. I didn’t get it.

However, they did say:

…the committee was impressed with your proposal, specifically the wide scope of sexuality study you will visit in the text. The LA&M is inspired by your work and its potential contributions to sexuality scholarship.

….

In the mean time, if the Archives can support your project from a distance, please feel free to contact me. The selection committee has authorized a $50 photocopy duplication fee / postage credit for your project to be used by the end of 2012.

That’s nice of them. Not even sure what I will do with the micro-grant.

Apr 062012
 

Nude woman in nun's habit with her breasts being poked by two monkeys

My article on the strange case of Maria Monk and her connections to anti-Catholic propaganda and the nun as a fetish archetype has been published in Maisonneuve magazines 10th anniversary issue. (Print only, for the moment. And no, I don’t know what the monkeys are doing in the illustration.)

This was my first article in a national, glossy magazine for a while, and I hope this carries with it some prestige. It took several rewrites to get it done, but overall it looks pretty good. There’s only so much you can do in 1,500 words.

I had wanted to include a comparison between Awful Disclosures of Maria Monk and Story of O, since both are narratives of initiation. I wonder if there’s a more direct connection, if as a girl Anne Desclos (aka Pauline Reage) read some bit of Gothic pulp or anti-Catholic tract and it gestated in her mind the way Anna Freud remembered a snippet from a book about book on medieval knights and wove that into her fantasies.

An excerpt from an early draft:

While the content of Awful Disclosures and related works survive to this day mainly in anti-Catholic crank conspiracy literature, the format has been stripped of any overt political or religious message and used in a variety of pornographic works. The classic Story of O (1954), written by Anne Desclos (who once flirted with the idea of being a nun), follows a similar structure to Awful Disclosures. Like Maria Monk, O is initiated into a secret society where she is to serve her new masters sexually. The orders O receives echo the Mother Superior’s commandments to Maria Monk: “You are here to serve your masters… Your hands are not your own, nor are your breasts, nor, most especially, any of your bodily orifices, which we may explore or penetrate at will… both this flogging and the chain… are intended less to make you suffer, scream, or shed tears than to feel through this suffering, that you are not free but fettered, and to teach you that you are totally dedicated to something outside yourself.”

If Disclosures uses transgressive sexuality to deliver a warning of the dangers of transgressive religion, O is a sexual fantasy built on nun-like selfless devotion. Maria Monk returns to the Protestant world to bear witness, but O throws herself deeper and deeper into the underworld, attaining a kind of martyrdom.

I also wanted to include PETA’s campaign of images of people (usually attractive women) as animals in cages or even as packed meat products, images that require only the slightest shift in optic to become pornographic.

Apr 012012
 

It ain’t pretty, but it’s done. I completed a first, rough, provisional, tentative, preliminary draft of chapter one, about 6,000 words that runs from Roman mystery cults to the banning of flagellant companies in the 14th century. It’s far from complete, but it is something I’m ready to show somebody else.

One of the thing I realized was that I had big gaps in my narrative. I spent the last week on a crash study on medieval Christianity, the founding of the great monastic orders and the debates over flagellation and other forms of discipline. The church has never been entirely comfortable with flagellation and other forms of asceticism, perhaps because it makes possible a connection with Christ through the body, and not through established hierarchy of intermediaries.

What’s next is Chapter 2, roughly 1500 (Pico della Mirandola’s discussion of flagellation) to 1700 (the Abbe Boileu’s discussion), the disagreement over how the human body is to be viewed. The starting point is the disagreement over the St. Theresa of Avila and her “transverberation”, her eroticised encounter with an angel that repeatedly stabbed her with a spear. In another time, St. Theresa’s experience, and art depicting it, would have been sacred, but in this time, it could be seen as profane, the result of sexuality perverted by the unnaturalness of convent life.

I may extend it to the trial of Father Girard over his affair with Catherine Cadiere around 1730, but that may be saved for the chapter on sensibility.

I’m not sure that even with a good work habit I can make my deadline of a completed manuscript by the end of October. On the other hand, I have a lot of stuff already done and researched, I just need to put it together and fill in the gaps.

Feb 162012
 

To my friends, family, colleagues and supporters:

With just two weeks to go, we’re past halfway in our fund-raising project for Girlfag: A Life Told In Sex and Musicals… but we’re Image
going to need a big last-minute push to take us over our goal amount of $7500.

Fortunately, we now have a great new tool to help with this project – an absolutely gorgeous cover by my longtime collaborator John Brenner of Johnny Ink, which you can see here. Hope you like it!

However, new donations have slowed down in the last week, and if we don’t get a kick of new people in the next couple of weeks we may miss our $7500 goal. Now, don’t get me wrong – I am going to publish this book anyway, somehow. But in order to do it justice – to back it with the marketing, PR and merchandising it needs to reach its intended audience of people who don’t feel comfortable with traditional categories of gender and orientation – we need to raise that money.

So, please: If there’s any way you can help – by donating what you can spare, by telling friends who might be interested, by posting our link to your Facebook page, or anything else you can think of – now’s the time to do it!

And, as if you needed any more incentive… if you refer a friend who donates at least $50, you’ll qualify for a free Girlfag patch. Just ask your friend to drop me a note along with their donation so I know who’s responsible.

So stop by now to the Kickstarter page. You’ll find everything you need – a complete description, some excerpts, and a nice big picture of the cover – plus a wide range of awesome incentives to loosen the strings on your wallet. Plus, of course, the knowledge that you’ve helped bring important new information into the world of sexuality and relationships (and, of course, musical theater)!

Thanks to you all,
Janet W. Hardy

10 months to first draft

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Dec 182011
 

Beware the man of one book.
-attributed to Saint Thomas Aquinas

My first post on this blog was back in July, 2005. That’s six and a half years of blog posts on this, with no actual book.

It’s been fun, certainly, but I’ve realized that I could keep doing this indefinitely, without ever actually writing my supposed book. Blogging is certainly more fun than the grind of delayed gratification and possible rejection of conventional publishing, but an actual book, if published, means more status and money. While I’ve maintained a fairly steady output on blog postings, I’ve gone for six months or even a year without working on the book directly.

I also have to ask when enough information is enough. Is this going to be the last word on the topic, or is it one of many books on the subject?

You can look at it like two different modes of creative production. JRR Tolkien, for example, basically wrote one big story, the saga of Middle-Earth, investing just about everything he knew into it. It’s hard to see the the connection between The Hobbit and the Silmarilion, but it’s there. Tolkien wrote other fiction, but he’s been known for his magnum opus.

Michael Moorcock, by comparison, wrote lots and lots of novels short novels, allegedly writing 15,000 words a day at his peak. A lot of his generation of writers just wrote a lot more.

So, do I want to invest all my time and energy and hope into one great work, or write many different works that can succeed and fail independently?

The history of BDSM isn’t the last non-fiction book I want to write. It isn’t even necessarily the last book on BDSM I want to write.

So, I hereby state that by my 40th birthday, October 27th, 2012, I will have completed a first draft of my book, and will have begun submitting it to publishers.

This will be a much scaled down work of about 60,000 words, and more tightly focused than the encyclopedic 100,000 words I originally planned. Call it 10 chapters of no more than 6,000 words each. By necessity, this will mean leaving out a lot of stuff, in favour of a tighter narrative.

My biggest fear, of course, in saying this is that in 10.5 months I will shamefully admit to all of you out there (crickets chirp… chirp… chirp) that I didn’t do this. My success in this task is up to me and nobody else.

Author chat on “Whispers in Darkness” Lovecraftian erotica

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Nov 032011
 

Now that Whispers in Darkness is officially on sale, I did a series of posts on the Circlet Press LJ group to promote it. While the chat is over, you can still read and comment.

HP Lovecraft, erotica and why they actually do go together
Author commentary for “Koenigsberg’s Model”
Miss Lovecraft’s students learn about their bodies
HP Lovecraft, erotica and why they don’t necessarily go together
A guided tour of the book, part 1, 2 and 3
Wrap up

Sep 162010
 

Here are the post I’ve made on the Circlet Press Livejournal group to promote Innocent’s Progress.

Sep 142010
 

innocents-progress-cover-RE

The Innocent’s Progress and other stories is now available for download at the Circlet press site.

From the publisher:

In a steampunk society where sex is ritualized and marriage is sacred, the slightest misstep can bring your world tumbling down. In this collection, Peter Tupper explores the many facets of a time that never was, and a society that is all too familiar. Rich in eroticism, and immersive in its detail, The Innocent’s Progress and Other Stories is a sterling example of what steampunk can be.

In an unnamed place, in a time that never was, sex is elevated as high as ritual, and can be had for the price of a theater ticket. In The Innocent’s Progress and Other Stories, Peter Tupper explores the many facets of a complicated, sensual, and, in many ways, rigidly conservative society. Here, we are given passes to a theater of fantasies; we are allowed into the labyrinthine world of steam-powered workhouses; and we are given glimpses into the minds and mettle of the kind of people who survive in such a world.

I’m also hosting an author chat on the Circlet Press Livejournal group for the next few days.