Peter Tupper

Sep 062010
 

From My Retrospace via Sociological Images, a discussion of the maledom-femsub spanking scene in the John Wayne-Maureen O’Hara Western film McLintock:

This image appeared prominently in publicity materials for the film, though in some cases Wayne is using what appears to be a small shovel or dustpan, while in others he is using his bare hand. Presumably this change is to “soften” the image, and perhaps strengthen the erotic connotations.

Also, in some images Wayne and O’Hara are alone, while in others there are plenty of observers, including even children. Often these scenes include a third party of one or more people observing the spanking, a common element of spanking literature and images, which adds elements of voyeurism and humiliation.

One particularly odd example image includes Superman using his x-ray vision to spy on, and control, his robot duplicate as it spanks Lois Lane.

My Retrospace says, “It seems to be all in good fun, right?” while Sociological Images says, “Lady spanking is a manifestation of the infantilization of women.” So how are we, from the perspective of 2010, supposed to view these images? Was this a coded/deflected reference to an uglier reality of spousal abuse in the mid-20th century? Or was this a plausibly deniable reference to sex? Or both?

Aug 282010
 

In the big map of fetishes, quicksand lies somewhere between mud, bondage and breath control. On Slate.com, Daniel Engber’s Terra Infirma gives the cultural history of quicksand, including the quicksand fetish. It’s an interesting exploration of the varying values applied to a single phenomenon that is more myth than fact.

Quicksand in films peaked in the 1960s and declined considerably after that, until it is an unused, worn-out action gag, relegated to the same realm as tying people to railway tracks. The most recent non-fetishistic use of quicksand the article describes is the old Bruce Campbell show The Adventures of Brisco County Jr. in the early 90s. Since then, quicksand is largely used in a fetishistic context, not “straight”. Quicksand fetishists have been scrapbooking scenes from movies and TV for decades, helped by the Internet.

The article also suggests that there are other factors contributing to the prevalence of quicksand in the popular imagination, such as the rise and fall of sandboxes in children’s playgrounds. Once ubiquitous, sandboxes are now rare thanks to a carcinogen scare.

Aug 252010
 

Dan Carlin’s Hardcore History podcast features a great spoken essay on slavery in history. While it only loosely ties into this blog’s topic, it is a good primer on just how huge a phenomenon slavery is and how profound an effect it had on American and European history. The eroticized view of slavery in BDSM fantasy and practice is just one, minor epiphenomenon of slavery.

Aug 212010
 

From A Sound Awareness, a 1965 album called Tortura: The Sounds of Pain and Pleasure, released by Bondage Records, nothing but people screaming, moaning, crying, groaning and laughing while being whipped. Note the sub-Willie/Stanton/Bilbrew art. (Mediafire download, streaming audio at WFMU.org)

This blog has some other images of historical kinky ephemera, including a collection of pro domme advertising cards, and some Atomage rubber fetish fashion images.

Aug 132010
 

A friend in Rostock, Germany, is producing and directing a stage play based on Leopold von Sacher-Masoch’s classic (or it should be) novel of male submission and female domination, Venus in Furs, or Venus im Pelz.

The play stars Dino Gebauer as Severin and Meike Faust as Wanda, and directed by Florian Dedio. There are two shows, on September 11th and 15th.

Wish I was in Germany, and could understand German.

I’m glad to see this kind of project as I believe Sacher-Masoch is much neglected as a historical and literary figure, and his work deserves wider exposure and his life more academic study. For a man whose name was attached to an entire realm of human behavior and emotion, he is curiously forgotten. Freud’s two essays on masochism make no mention of Sacher-Masoch or his work

Aug 122010
 

Continuing our discussion of A Man Called Horse, consider the Kyle Stone novel The Initiation of PB 500, parts of which were first published in Torso magazine in 1993.

Going by this excerpt and what I recall from skimming it years ago, PB 500 largely follows the first act of Horse: space pilot crashes, gets captured by primitive warrior culture, etc. However, the homoeroticism and sadomasochism that is implicit in Horse is quite explicit in PB 500. It also follows the initiatory structure I talked about (witness the title), but with a twist. Horse follows the hero’s journey plan, while PB 500 manages to have it both ways: the protagonist becomes both sex slave and warrior/assassin.

Micah strode along the silent corridor like a warrior going into battle. He was a warrior, he reminded himself, although the Commander’s guards would see only a naked slave. A painted harlot bought and paid for by an alien chief. Under the long blond hair held in place by a blue band, his back bore the scars of his master’s whip. Proud scars. But they could never understand.

Micah clenched his teeth and thought of his master, the hard dark man who demanded so much of him, who owned him body and soul. Time and time again Micah had demonstrated that he would do anything for Attlad. Surely this was the ultimate test? This evening when he had been forced to go so much against his own nature? What he would do next, was nothing, compared to this.

The Erskan Chronicles series of books by K. McVey is yet another variation on this premise, though in a femdom-malesub setting. This is a great premise for forcing a character into another culture with radically different sexual mores, so naturally it is used repeatedly. Though I think it is more commonly used in science fiction or fantasy settings than in contemporary settings. Still, it is essentially the same kind of story you could find more than 100 years ago.

Aug 062010
 

A Man Called Horse, 1970, dir. Elliot Silverstein IMDB

This movie probably did a lot to inspire the modern primitive movement, portraying a rather familiar story of a “civilized” person being initiated into a “primitive” culture. I’m not going to address the historical or cultural accuracy of this film, as I’m not really qualified and also it’s not terribly relevant to this discussion. (The film claims to be based on authentic sources, but so did Ilsa: She Wolf of the SS.)

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