Jun 252012
 

Jay A. Gertzman’s article “1950s Sleaze and the Larger Literary Scene: The Case of Times Square Porn King Eddie Mishkin”, in eI15 fanzine, provides an intriguing glimpse into the proto-BDSM scene of 1950s America, particularly the previously mentioned publishing empire of Eddie Mishkin.

Mishkin employed fetish artists like Eric Stanton and Gene Bilbrew, as well as writers, some of whom wrote pornography under pseudonyms or house names to pay the bills while working on above-ground books or television.

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Jun 212012
 

According to a post on Vintage Sleaze, “Justin Kent” is a name that appeared on many American digests published in the 1950s, short novels with racy covers that promised more than they could deliver in terms of sex, bondage and sadomasochism. It was actually a pen name for an unsuccessful writer living in Harlem named Kenneth Johnson (possibly African American, but the record isn’t clear.) Johnson wrote at least ten digest novels, many with illustrations by Gene Bilbrew.

1950s pulp cover, shirtless man begging woman in dominatrix outfit

The Strange Empress by Justin Kent Collection Jim Linderman

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Jun 182012
 

A post on Vegan Times got me thinking about the use of the naked human body. “An Open Letter to PeTA” makes a feminist critique PETA’s use of sexualized imagery in its ads against animal cruelty:

Like animal exploitation, which turns non-human individuals into objects of consumption for humans, patriarchy as a cross-cultural and trans-historical phenomenon has always involved the ‘thingification’ of women’s bodies, manifested either through outright ownership (by husbands and fathers), or through widespread sexual objectification. Both non-human slavery and patriarchy are heavily steeped in the fetishization of violence. It would seem, then, that an organization ostensibly committed to the eradication of animal exploitation would also support the eradication of gender hierarchy. Yet judging from your track record, this has not been the case.

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Jun 132012
 

The Vintage Sleaze blog has the story behind the Fads and Fancies fetish magazine, published in the late 1940s and early 1950s, and its signature artist known as Janine, actually a woman by the name of Reina Bull.

The astounding drawings by an anonymous artist known only as “Janine” who drew work for the sleazy Utopia magazine “Fads and Fancies” a British fetish magazine in the late 1940s and early 1950s.   The work is no longer anonymous. It was done by a woman all right, but Janine wasn’t her real name. Fads and Fancies was published by Utopia, who printed fetish material remarkably similar to Nutrix and Irving Klaw, and at roughly the same time.

[…]

Janine had an incredible, unique, eccentric and curious style likely developed to cater to the audience. Particular parts of the plump participants protrude depending on the proclivities she wished to portray. Which is an alliterated way of saying big boobs and big butts. Kinky and unreal, but then certainly enticing to the readers who must have been “big” fans (pun intended.) To the rest of us, they look hilarious…Dolly Parton on Steroids!   The work takes an “all-purpose” approach to fetishists.  The artist can not figure out if she is titillating a shoe fetish, a butt fetish, a fat fetish, a breast fetish, a stocking fetish…if the idea of a fetish is to focus on one particular object, there was something kinky for all in Janine’s curious drawings.  At the time, the fetish underground was not yet defined, but the publishers knew if they appealed to a handful of eccentricities, they would reach a market.

Fads belongs in a tradition of English fetish magazines that includes Photo Bits and London Life, and goes back at least to the 1870s when the Englishwoman’s Domestic Magazine took a turn for the pervy. The business model seems to be, “give the punters what they want”.

Nowadays, Rule 34 is in full effect and every fetish has its own Tumblr.

Jun 122012
 

Shorter, Edward. Written in the Flesh: A History of Desire University of Toronto Press, 2005

Caveat: due to time restrictions, I’ve only read the “SM and Fetish” chapter of Shorter’s book.

This chapter presents a lot of fodder for further research, and I’m intrigued by Shorter’s idea of Western society moving towards an idea of “total body sex”, from an origin narrowly focused on heterosexual missionary coitus. Sexual behaviour in the early 21st century seems so varied that it’s hard to draw boundaries around “the sexual.”

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Jun 062012
 

Lord Buckley was an eccentric American performer of the early and mid 20th century. He’d perform monologues, in hip dialect, that were about the lives of Ghandi (“the Hip Ghan”) or Jesus Christ (“the Nazz”), or transcriptions of famous documents like the Gettysburg Address into hip. One of his monologues was on “a hero in evil”, the Marquis de Sade.

Now, you take the case of Ella Louise Louise Louise, that little chamber maid chick. It’s in the history. Now, he knew this chick didn’t have no gold. So, he pressed a fin into her palm and said, “Baby, let’s split up to my pad and suck up a little juice and hear a little wax and go a little crazy.” She said, “Coo coo.” So, she took his wing and vrrrpppt, they split toward the pad. And got halfway there and just happened to pass the Birch and Rod Store. So, the Marq said, “‘Cuse me a minute, Sugar.” Vrrrpppt, he swung in and picked up on twelve miniature style, three colored, silk-tasseled, circus day, children’s pony, buggy whips put them under his wing, vrrrppppt, and made the pad and they BAD RAPPED THE POOR CAT EVERY STEP OF THE WAY.