About 2/3rds of the way through through Marcus Wood’s Blind Memory, I’m convinced that the imagery of Atlantic slavery is a very important aspect in the evolution of BDSM. There are many, many written and visual examples of slaves being beaten and otherwise tormented in abolitionist texts. Frequently, these images become an opportunity to depict the black female body nude or semi-nude in extremis.
When I first started reading about the Munby-Cullwick relationship, I had assumed it was based on classical slavery, which I thought a well-educated English gentleman would have read about. Then, when I saw how Munby drew working class women to strongly resemble caricatures of black men, I decided it had more to do with a once-removed image of American slavery, transmitted across the Atlantic in books like Uncle Tom’s Cabin by Harriet Beecher Stowe and blackface minstrelry.
