Peter Tupper

Apr 182009
 

Todd, Janet. Sensibility: an Introduction Methuen, 1986

The cult of sensibility only lasted a few decades, starting in the early 1700s, peaking around 1750 and pretty much discredited and ridiculed by the 1790s, no longer a part of politics or serious novels, but consigned to the lower, often feminized strata of literature and society. Sensibility decayed into mere sentimentalism, generally an insult, but an underlying them in Victorian melodrama, and for our purposes in works like Uncle Tom’s Cabin, as when Little Eva dies in classic sentimental style.

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Apr 072009
 

Hartman, Saidiya V. Scenes of Subjection: Terror, Slavery, and Self-Making in Nineteenth-Centry America Oxford University Press, 1997 Google Books Amazon

I’m still looking into the relationship of real-world slavery and BDSM slavery.

Hartman starts her (?) book by quoting a letter from noted abolitionist John Rankin to his slaveholding brother, struggling to convey the horrors of slavery. He employs shock tactics to get through the reader’s comfortable remove, “to rouse the sensibility of those indifferent to slavery”.
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Mar 232009
 

The UK newspaper The Daily Mail provides a window into the private life of 18th century English writer Dr Samuel Johnson, specifically his masochistic relationship with another man’s wife, named Hester:

A sunny weekday afternoon in a well-appointed house in Streatham, South London. A generous lunch has been served, and the dining room has echoed with laughter and conversation.

A distinguished male house guest is left alone with his younger and much more attractive hostess. He murmurs something. She flushes and assents. They retire to a private room and lock the door behind them.

She sits on a chair and slips off her shoes. He kneels before her and takes her foot on his lap. He fondles it in his big hands, then stoops to kiss it.

Soon, at his urging, she has bound him hand and foot with padlock and chains, and he – suffused with shame and delight – is submitting to be whipped.

In one 1773 letter – written in elaborately formal French so that, if intercepted by servants, it could not be understood – he begged her [Hester]: ‘I wish, my protector, that your authority will always be clear to me, and that you will keep me in that form of slavery which you know so well how to make blissful.’

But there are signs that Hester – initially compliant – was an increasingly reluctant dominatrix. ‘I will detain you no longer,’ she wrote in reply, ‘so farewell and be good; and do not quarrel with your Governess for not using the rod enough.’

Even so, power play was an integral part of their relationship. In 1779 Johnson told Hester: ‘A woman has such power between the ages of 25 and 45 that she may tye a man to a post and whip him if she will.’

Hester later wrote: ‘This he knew of himself was literally and strictly true I am sure.’

And in a diary entry about her relationship with Johnson – whom she called ‘my slave’ – Hester wrote: ‘The fetters and padlocks will tell posterity the truth.’

This is an instance of the use of Master-slave terminology in an erotic sense, decades before the Munby-Cullwick relationship, which may not have been quite as unique as I thought.

The book is Samuel Johnson: The Struggle by Jeffrey Meyers Link

Mar 052009
 

Darnton, Robert. The Forbidden Best-sellers of Pre-revolutionary France WW Norton & Co, 1996 Link

Justice Potter Stewart defined pornography as, “I know it when I see it.” The same could be said of genre in general. The genre of a given work is obvious, unmistakable, self-evident. A mystery story is a mystery because, well, there’s a mystery and it is solved.

However, genre is rarely pure, and there are many instances of works that defy categorization. Is James Cameron’s Aliens horror, science fiction or action? Also, genre becomes even less distinct when we backtrack, trying to find the first example of a given form. Mary Shelley’s Frankenstein is often cited as the first science fiction novel, but is it actually that, or a Gothic novel?

This gets even harder when you try to excavate the history of pornography. Case in point: the anonymous novel Therese Philosophe, published in 1748 (the same year as Denis Diderot’s erotica/satire The Indiscrete Jewels, and John Cleland’s apolitical Fanny Hill). It is usually attributed to the Marquis d’Argens.

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Feb 152009
 

Karl Marx wrote, “Hegel remarks somewhere that all great, world-historical facts and personages occur, as it were, twice. He has forgotten to add: the first time as tragedy, the second as farce.” (Karl Marx: Selected Works, vol. 2 (1942))

Consider the film Reefer Madness.

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Feb 102009
 

O’Malley, Patrick R. Catholicism, Sexual Deviance, and Victorian Gothic Culture Cambridge University Press, 2006 Link

He had a special passion, also, for ecclesiastical vestments, as indeed he had for everything connected with the service of the Church. In the long cedar chests that lined the west gallery of his house, he had stored away many rare and beautiful specimens of what is really the raiment of the Bride of Christ, who must wear purple and jewels and fine linen that she may hide the pallid macerated body that is worn by the suffering that she seeks for and wounded by self-inflicted pain.

Oscar Wilde, The Picture of Dorian Gray

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Jan 102009
 

I think that if we could ever somehow travel back in time and directly observe the past, ancient Rome wouldn’t look like Russel Crowe in Gladiator. It would look more like Caligula or Fellini Satyricon. Not because those two films are particularly historically accurate, but because watching them conveys the constant sense of “WTF?!?” you get when you visit a very different culture.

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