Oct 072015

Berlatsky, Noah. 2015. Wonder Woman: bondage and feminism in the Marston/Peter Comics, 1941-1948. New Brunswick, New Jersey : Rutgers University Press

Wonder Woman spanking a man in Roman soldier uniform

Wonder Woman spanking a man in Roman soldier uniform

Growing up, I had the notion that Wonder Woman had been created in the past as a perfect feminist icon, and only later was the character sexualized by other creators. In fact, Wonder Woman was “always, already” as much a figure of fetishistic fantasy as she was a feminist role model, patriotic symbol, or heroine for children. The original seven-year run of comics, written or co-written by William Moulton Marston and illustrated by William Peter displayed the kind of deep psychosexual weirdness usually only found in 19th century children’s books. (I say that as a fan of deep psychosexual weirdness.) Noah Berlatsky’s book explores just how queer and feminist those stories were; as the author puts it, “a flamboyantly gendered mess.”[Pg.169] Continue reading »

Jun 242015

My apologies for addressing the film adaptation of Fifty Shades of Grey so late. I obtained one copy of the film through admittedly dubious means (let’s just say the text messages are in Spanish), and another in which the subtitles were in originally in, I think, Thai, then covered up by another layer of subtitles in Spanish, and all the explicit sex was cut.

Beyond all that, I could only watch about five minutes at a time. Somebody asked me how I got through the film and I joked, “I kept a fifth of Scotch handy.”

Continue reading »

Feb 122015

As of this writing, Fifty Shades of Grey holds a 32% rating on Rotten Tomatoes, a 47 on MetaCritic, and a 3.1 on IMDB. Suffice to say, it won’t sweep the Oscars next year. I do predict it will do well at the Golden Raspberries. Its loyal fanbase will probably guarantee a commercially successful opening weekend and a lot of DVD sales, but I suspect it will do poorly in the long run.

I am a little disappointed we won’t see little CGI chibi versions of Dakota Johnson’s subconscious and inner goddess hopping around.

Continue reading »

Mar 162014

Mileaf, Janine. Please Touch: Dada & Surrealist Objects After The Readymade. Dartmouth College Press, 2010

As I’ve observed before, there’s a relative lacuna in BDSM history, between the Victorians and the post-WWII era. The first half of the 20th century is relatively undocumented, though I have found a few exceptions.

Man Ray, Woman in Bondage, c1930

Man Ray, Woman in Bondage, c1930

Artist and photographer Man Ray made several sadomasochistic photos in his career in the 1920s and 1930s. He was also a devotee of the works of the Marquis de Sade, and made portraits of the Marquis. Man Ray was one of many artists of the time interested in “the primitive”, taking inspiration from aboriginal people around the world, and seeking truth through extreme mental and physical states.

Continue reading »

Feb 142014

Brown, Carolyn E. “Erotic Religious Flagellation and Shakespeare’s Measure for Measure”, English Literary Renaissance, Vol.16, Iss. 1, Dec 1986

Shakespeare’s play Measure for Measure (first performed in 1604) links religious asceticism and flagellation with deviant sexuality and political tyranny. The Duke of Vienna, the judge Angelo and the novice nun Isabella claim to be pious and chaste, while their sexuality is repressed in such a way that it emerges as indifferent voyeurism, aggressive sadism or masochism, respectively. “…by drawing parallels to historical or topical events, Shakespeare suggests that the protagonists’ very asceticism, ironically, causes this deviant desire and that they associate their austere religious practices with pleasurable feelings.”

Woman in nun's habit kneels facing away from man in suit, sitting on couh

Isabella and Angelo

The plot revolves around a couple, Claudio and Juliet, who have not properly observed all the rules of engagement and marriage. While the Duke travels through Vienna in disguise as a friar, he hands power over to the judge Angelo, who decides to make an example of Claudio and condemn him to death for fornication. Claudio’s friend Lucia asks Isabella, the novice nun and Claudio’s sister, for help. Angelo offers to free Claudio in exchange for sex with Isabella.
The trio of the Duke, Angelo and Isabella are all ascetics (though none are actually clergy), and are hostile to sexual desires, believing that “pain kills the libido and thus subjecting themselves and others to physical abuse.”

Continue reading »

Dec 102013

Ilsa: She Wolf of the SS (1975) dir. Don Edmonds IMDB Amazon

Arguably the best known Nazisploitation film (though Love Camp 7 (1969) is usually cited as the first), Ilsa: She Wolf of the SS was a US-Canadian production (and shot on the exterior old sets for Hogan’s Heroes, according to one source). It starred Dyanne Thorne as the titular concentration camp commandant, impeccably crisp in a black, white and red SS uniform.

The women sent to Ils’a  camp are divided into two groups. One gets sent to “work details” of serving the men in the guard house. The other gets beaten, electrocuted, boiled, suffocated and more in “experiments” overseen by Ilsa and her female assistants. Ilsa’s ostensible reason for all of this is to demonstrate that women can withstand as much pain as men, and therefore prove that women can serve the Reich by fighting on the front line.

The male prisoners each get one night with Ilsa, after which they’re castrated.

Continue reading »

May 132013

I’m surprised at how much material from AMC’s Mad Men I find for this blog. First there was protagonist Don Draper’s masochistic sessions with a prostitute who slaps his face. Then there was the episode “Mystery Date”, which showed that Don was trying to be faithful to his wife, while a toxic cocktail of lust, fear and rage boiled inside him. Meanwhile, other characters had their own reactions to sexual violence.

And now, in “Man With A Plan”, Don goes full on dominant. Since the season began, he’s been having an affair with his downstairs neighbour Sylvia, the wife of a heart surgeon. While Don’s been lacking in sales meetings, he makes up for it by expertly playing on Sylvia’s Catholic guilt, setting her up for their trysts in the maid’s room.

Continue reading »

May 062013

Baatz, Simon. For the Thrill of It: Leopold, Loeb, and the Murder that Shocked Chicago. HarperCollins, 2008 Amazon

I wish there were more case studies to examine in this field. It’s rare to find a documented sadomasochistic relationship in the pre-modern era; I shudder to think how easily the Munby-Cullwick papers could have been lost. Sometimes one must make do with what one can find. In this case, there’s the case of Nathan Leopold and Richard Loeb who probably would have been remembered as eccentrics if they hadn’t kidnapped and murdered a teenage boy, basically just to prove they could.

After their capture for the murder, the two men were thoroughly examined by physicians, neurologists and psychiatrists, who couldn’t agree on a diagnosis. Eventually they were found competent to stand trial. Their examinations and testimonies revealed both had vivid fantasy lives.

Continue reading »

Apr 032013

Perkins, Lori, ed. Fifty Writers on Fifty Shades of Grey. Benbella Smartpop, 2012 Amazon

Much like Christian Grey himself, the Fifty Shades trilogy is everywhere, overwhelming and relentless, dominating bestseller lists, metastatizing into countless imitators, and spawning an entire industry of gifts, CDs, boardgames and other branded merchandise, plus a feature film. Through sheer repetition and ubiquity, we find ourselves trying to accommodate it, even to make excuses for its flaws and offences. Some of the authors in this essay collection try too hard to put a positive spin on Fifty Shades. Even the collection’s  editor, Lori Perkins, says:

Some have wondered how a “classic” can be so “poorly written.” But I contend that it is not poorly written, but rather written in an everywoman’s voice, a necessary part of its success I once worked with an author who used plebian language…. When she returned my edits, she told me that she did indeed know the word “simultaneously,” but when she was fantasizing, she always used the phrase “at the same time as,” and she knew that her readers did as well. [Pg.3]

EL James’ prose is not “plebian” or “in an everywoman’s voice”, it’s just plain bad. You don’t need an MFA to read or write good prose or hot prose.

Continue reading »