Jun 262017
 

I haven’t done one of these in a while, but there have been important developments.

The first is that I have signed with an agent to represent this project, with the working title of The Marriage of Heaven and Hell. (Title borrowed from William Blake.) This is actually my second agent, but I broke it off with the first agent a while back. The new agent sounds pretty enthusiastic and optimistic about the book, as both a commercial trade book and an academic reference.

I’ve been researching historical images at GettyImages, though I don’t know if this will be an illustrated book. I think it could have a strong visual appeal, but illustrations would require a lot of extra work and money to source the images and get their rights.

I’m also thinking about another book project,. One possible topic would be looking at heterosexual male submissives, which I see as an under-examined quadrant.

Second, I will be presenting on the history of female-dominant/male-submissive BDSM at the Enclave femdom conference in July. My first trip to the US since last year.

Apr 232017
 

Our Lives, Our History: Consensual Master/slave relationships from ancient times to the 21st century, the anthology on the history of consensual Master-slave relationships I edited, with the help of slave david stein, won the 2017 Geoff Mains Non-Fiction Book Award from the National Leather Association. It feels great to be recognized, and I also want to extend recognition to all of the contributors and to Master Taino’s Training Academy.

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Jul 282016
 

After several years of my work as editor for Master Taino’s Training Academy, the anthology on the history of consensual Master/slave relationships is finally done and soon to be in print. The official launch will be at the 2016 Master-slave Conference on Labor Day Weekend.

The anthology includes essays from TammyJo Eckhart, Raven Kaldera, Laura Antoniou, Master Taino, slave david stein, Andrea Zanin and many others. I hope this will become a classic to go on shelves next to Leatherfolk, Different Loving, and Coming to Power. Amazon purchase link to come.

Our Lives, Our History front cover-72dpi Our Lives, Our History back cover-72dpi

Jun 242015
 

After about 163 queries to literary agents over four months, 40 of which resulted in rejections, one finally said he wanted to represent my book. We had a couple of phone conversations in which we talked about background and changing my proposal, and he sent me a copy of his agreement.

Unlike the previous agent, this included provisions for breaking off the agreement if I wasn’t satisfied. My friends who know about the writing business looked the agreement over for me, and were okay with it. After my usual anxious waffling, I put the printed, signed agreement in the mail. It should reach the agent in Toronto by the end of this week.

I have no idea what’s going to happen next. The agent says he will start showing my current draft of of the manuscript and a new version of the proposal to American publishers in July. I definitely want to keep revising the manuscript, as I’m running the chapters through my writer’s workshop. I have yet to look at certain research elements, such as Robert Bienvenu’s thesis.

I will continue blogging on this site.

May 152015
 

I will present at Cornucopia in Nanaimo, BC, on May 23rd.

It’s been a while since I posted anything here, though I’ve been posting to my Pinterest board and have a queue of daily posts set up on my Tumblr. Most of my work on this project has gone into trying to get a literary agent for the book, via cold emails of my query or proposal.

I thought I had an agent for a while, attached to a major NYC firm who wanted to see my complete manuscript within hours of receiving my proposal. After a while, she said she wanted to start showing it to Canadian publishers. While this was exciting, I wasn’t sure how this procedure went. I asked her if this constituted her being “my agent”, and later asked for some kind of formal agreement. She sent me a one-page agreement which included words like “irrevocable” and did not include anything about getting out of the agreement. The sample agent agreements I had read all had some kind of escape clause. When I asked about this, she said that was their standard agreement, and they never had problems releasing a client. After wavering a bit, I pressed ahead and asked for some kind of addition to the agreement. In case something happened like no publisher deal after a year, and I could be released. Instead, she said she would “step aside” and let somebody else handle my book, as I obviously didn’t trust her at this early stage.

This was baffling. I didn’t expect a major NYC firm to operate on a handshake deal or refuse to include an escape clause. I’ve worked on and off in creative fields for many years, and it is important to make clear the ownership of material, and for the creator to retain as many rights as possible. Getting dumped by this agent is probably for the best, but it does put the project back to the beginning.

Mar 022015
 

After literally ten years of work in writing, researching, and ordering obscure books via inter-library loan that have probably put me on some kind of watch list, I now have an actual complete first draft that is ready to show to potential publishers and agents. It weighs in at about 112,000 words. Likely I will have to trim that down for publication.

It feels good to be done, and weird to move onto the next phase of this project, which is trying to sell it to somebody. On Wednesday, I sent a proposal to an agent I’ve contacted before. I sent more cold proposals to agents I researched on the net. This is a whole new realm with new challenges, and I have no idea how this will work. Self-publishing is an option, but I would like to try conventional publishing first.

“Done” needs a certain qualification. I would like to cover Japanese sadomasochism, but I have yet to find good resource material in English. There’s also a gap like the early 20th century, but there may not be any research available. The current draft is intact, but certainly can be expanded upon.

I will continue updating this blog with interesting finds, ongoing research, and progress on acquiring an editor or publisher.

Jan 152015
 

I haven’t updated this in a long time, in part because my energy has gone into actually working on the book instead of blog posts. The good news is that I’m getting close to having a complete rough draft of the entire manuscript, one that I can send to beta readers, agents and publishers. I completed Chapter 13 on the political/legal status of BDSM, weighing in at 10,300 words, which brings the total word count to over 100,000 words. All that’s left is the conclusion, which I’m currently banging my head against. Once that’s done, I can resume sending out proposals. (I’d like to do a chapter on the Japanese parallel evolution of BDSM, but that’s on hold until I can find more research material.)

I am presenting my History of BDSM talk at Westward Bound, a three-day conference presented by Metro Vancouver Kink. My presentation will be at 9am, Saturday, January 31st. I haven’t done this presentation in a while, and my ideas and knowledge has changed so much that I may have to start over from scratch.

I have another presentation later this year; more details later.

Better late than never: check out the Tyee article about Jian Ghomeshi affair and its link (or lack thereof) to the BDSM scene:

Sep 122014
 

I’ve completed chapter 9, coming in at about 9,000 words. Technically, I completed it again, but I reshuffled things around a bit. Chapter 8 is now about the relationship between BDSM and fascism/militarism. Chapter 9 is now about the early 20th century. Since so much of that is influenced by the aftermath of the Great War, and the forces that led to the next war, I decided to put it after the fascism chapter.

To be frank, I’m not completely satisfied with my work. This period was something of a gap in my research, between the relatively well-documented Victorian and post-WWII periods. I have a few leads, such as Edith Kadivec and William Seabrook, and a few documented cases (Percy Grainger and TE Lawrence, for example), but not enough substantial material. Nothing like the Munby-Cullwick relationship, and nothing to really tie it all together.

I’ve also cheated a bit and referred to questionable sources like the Spanking Art wiki on subjects like early French bondage photography studios and the life of Edith Kadivec.

However, the goal now is to complete a rough but finished draft I can show to prospective agents and publishers. The sections with dodgey sources can be edited or cut later.

As the project currently stands, the next two chapters cover the Internet Era (c.1990-2000) and the post-Internet Era (2000-), with an emphasis on the BDSM community as a political entity and the attacks against it. After that comes a foreword, an afterword, and possibly an appendix on Japanese sadomasochism. My current goal is to finish a presentable draft by the end of 2014, and I actually feel fairly confident that I can achieve that.

In the meantime, I am also editing the Master-slave history anthology.