Feb 172018
 
Jan 152018
 
  • Katherine Gates, author of the new edition of Deviant Desires, talks on the Sex Out Loud podcast about fetishes. Specifically, she came out of the zine scene of the late 80s and early 90s, when people would self-publish and distribute paper zines for their own niche fetishes, such as sploshing or crushing or giantess. This was largely supplanted by the Internet in the mid-90s.
  • Susan Wright, NCSF co-founder and tireless advocate, talks on the Kinkycast about the threat to kink and freedom of expression from the National Center on Sexual Exploitation, formerly known as Morality in Media. Among other things, it claims that the EBSCO academic research database is a purveyor of pornography to children.
  • A 2016 GQ article claims that “Kink isn’t just for weirdo side characters anymore.” I don’t know about that, but it is an interesting list about kink in mainstream television, including Transparent, Nip/Tuck, Billions and other series.
  • BDSM has always been influenced by the changing times, and new technologies. An Engadget article talks about a pro dominatrix who specializes in “consensual blackmail” and Internet-enabled surveillance.
Jan 092018
 

I’m glad I had the opportunity to visit Wicked Grounds cafe in San Francisco in September 2017, now that it has closed as of January 6, 2018. It saddens me that so many public kink spaces don’t seem to last.

There is a last ditch hope of saving it via Patreon, though. Hopefully some white knight investor will pony up the cash.

Me outside of Wicked Grounds, September 2017

Me outside of Wicked Grounds, September 2017

Dec 182017
 
Dec 152017
 

Tom of Finland (2017). Directed by Dome Karukoski, written by Aleksi Bardy and Dome Karukoski. IMDB

I only know the broad outlines of the life of Touko Laaksonen‘s, AKA Tom of Finland, so I can’t attest to the historical accuracy of this film. It is definitely a biopic, not a documentary.The film spans a considerable span of time, from Laaksonen’s furtive outdoor experiences during WWII to his celebrity in HIV-era America.

Continue reading »

Nov 152017
 
Nov 142017
 

Professor Marston and the Wonder Woman (2017). Director and writer Angela Robinson. IMDB

Who was Professor William Moulton Marston? A fantasist in the tradition of Frank Baum or Lewis Carrol? A guy who ruled a secret menage a trois with his wife and his younger student? A failed academic turned huckster and pornographer with a line in psychobabble? A loving father and husband with an unorthodox, closeted family?

Continue reading »

Oct 242017
 
Still from the film. Central is Bella Heathcote as Olive Byrne. In the background is JJ Field as Charles Guyette.

Still from the film. Central is Bella Heathcote as Olive Byrne. In the background is JJ Field as Charles Guyette.

[The film Professor Marston and the Wonder Women (2017, dir. Angela Robinson) is a “based on true events” story of William Moulton Marston, the two women he lived with, his interest in bondage, and how all of that influenced his superheroine creation, Wonder Woman. The film includes scenes in the 1930s in which Marston meets Charles Guyette, an early pioneer of fetish/BDSM media in the USA. While Marston definitely had an interest in bondage and fetishes, I was skeptical that meeting had actually occurred. I asked Richard Pérez Seves, a fellow kinky historian, and author of a biography and photo collection of Guyette, if this had happened.]

Continue reading »

Oct 152017
 

The complete manuscript is now with the publisher, along with the bibliography and a variety of other paperwork. Right now, the biggest problem is getting the art I want. I know the images I want to use, but finding high resolution (300DPI or better) scans is hard enough. The real struggle is getting the rights. Figuring out if a given image is in public domain is far more complicated than it ought to be. Images published between certain dates are probably public domain, if they haven’t had their copyright renewed. But finding out who has the proper rights to an image published decades ago, by a company that has probably long since dissolved, is very difficult. Some of the pieces I would like to use have been located in public domain archives, which only require proper credit to use. Others I’ve located are available, but cost money, and I as the author would have to pay for it. I am convinced that this book would benefit greatly from an authentic piece of vintage fetish art on the cover, instead of a piece of stock art, but it remains to be seen what the art department will come up with for the cover.

It’s too early to make any precise predictions, but it looks like it will be released in the summer of 2018. I’m already thinking about a book tour on the west coast.

Last month, I visited San Francisco for the Folsom Street Fair, and got to see Wicked Grounds, Mr. S Leather, Leather Etc, and the Citadel BDSM club. I wanted to see the Armory, but this was well after Kink.com had left. More to come on another post, with pics.

Oct 152017