May 292018
 



Apr 182019
 

Lasting Marks is a short documentary on the infamous Operation Spanner case, in which gay men in 1980s Britain were arrested and tried for consensual sadomasochism. I should point out that the documentary is mostly scans of newspaper articles and legal documents, with a voiceover interview with one of the accused.

Apr 172019
 
Apr 172019
 

In my research, I’ve observed patterns in the past that we still see today.

Cover of Awful Disclosures of Maria Monk

For instance, in the 1830s, a woman named Maria Monk turned up in New York City. She claimed that she had been held prisoner as a sex slave in a convent in Montreal, where she had been subjected to bizarre tortures and told to sexually serve the priests who entered the convent via an underground tunnel. Any offspring of these unions would be baptized, strangled and disposed of in lime pits.

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Apr 172019
 

Because they didn’t live up to Clive Barker’s original novella:

He had anticipated this moment so keenly, planned with every wit he possessed this rending of the veil. In moments they would be here—the ones Kircher had called the Cenobites, theologians of the Order of the Gash. Summoned from their experiments in the higher reaches of pleasure, to bring their ageless heads into a world of rain and failure.

He had worked ceaselessly in the preceding week to prepare the room for them. The bare boards had been meticulously scrubbed and strewn with petals. Upon the west wall he had set up a kind of altar to them, decorated with the kind of placatory offerings Kircher had assured him would nurture their good offices: bones, bonbons, needles. A jug of his urine—the product of seven days’ collection—stood on the left of the altar, should they require some spontaneous gesture of self-defilement. On the right, a plate of doves’ heads, which Kircher had also advised him to have on hand.

[…]

The doorway was even now opening to pleasures no more than a handful of humans had ever known existed, much less tasted—pleasures which would redefine the parameters of sensation, which would release him from the dull round of desire, seduction and disappointment that had dogged him from late adolescence. He would be transformed by that knowledge, wouldn’t he? No man could experience the profundity of such feeling and remain unchanged.

Apr 162019
 

Hellraiser Bloodline (1996) is the fourth film in the Hellraiser franchise. It was also the last to be released in theatres and the last to have Clive Barker as a writer, director or producer. Directed by “Alan Smithee”, actually Keven Yagher, who is primarily a makeup artist, and written by Peter Atkins, who also wrote the second and third films.

Hellraiser: Bloodline starts off promising, but dissolves into a mess. Lots of plot threads dangle, lots of things happen for no reason. Apparently, this was a troubled production, which would explain why the director took his name off the picture, replaced by the “Alan Smithee” credit.

Philippe Lemerchand (Bruce Ramsay) and his creation.
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Apr 152019
 

Hellraiser III: Hell On Earth (1992) is the third entry in the Hellraiser franchise, and it benefits from a more conventional story structure. The new protagonist, Joey Summerskill, is introduced early to replace Kirsty Cotton (Ashley Laurence has a cameo on video recording).

Another victim of the Cenobite puzzle box
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Apr 042019
 

Hellbound: Hellraiser II was released only a year after the original, with a larger budget and mostly the same cast. Clive Barker wrote the story and served as executive producer. However, the sequel gets further away from what I thought of as the main themes of the franchise.

Return of the Cenobites
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Apr 012019
 

Hellraiser is a 1987 horror film, based on a novella, “The Hellbound Heart”, by Clive Barker, and the film was also written and directed by Barker.

For the notoriety attached to the Hellraiser franchise, there’s very little of the hyper-sadomasochistic Cenobites and their apparent leader, the iconic Pinhead, in the first film. The Cenobites are a background threat to the main action. They appear in only a few scenes, and there’s little exploration of what they’re about.

Poster
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